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[null,"1.","Record Nr.",null,"UNINA9910810626003321"]
[null,null,"Autore",null,"Dillinger Johannes"]
[null,null,"Titolo",null,"Uchronie : ungeschehene Geschichte von der Antike bis zum Steampunk / / Johannes Dillinger"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn : , : Ferdinand Schöningh, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"3-657-77572-2"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"809.38768"]
[null,null,"Soggetti",null,"Alternative histories (Fiction) - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Zeitvergleich: Was ist uchronische, was ist ›reale‹ Geschichte? -- Bloßer Zeitvertreib? Wieso soll Uchronie in der Populärkultur betrachtet werden? -- Zeitmanagement: Herangehensweise, notwendige Abgrenzungen und Einschränkungen -- Frühzeit: Antike Uchronien -- Zeit und Ewigkeit: Vom Mittelalter zum 19. Jahrhundert -- Gleitzeit: Vom Beginn des 20. Jahrhunderts bis in die 1960er Jahre -- Bedenkzeit: Von den 1960ern bis in die 1980er Jahre -- Zeitplan: Demandts Theorie der Uchronie -- Die große Zeit der Uchronie -- Uchronien in der Literatur bis zur Mitte des 19. Jahrhunderts -- Uchronien im späten 19. und frühen 20. Jahrhundert -- Endzeit: Uchronie im Kalten Krieg -- Zeitgemäß: Uchronien nach dem Kalten Krieg -- Zeitbombe: Intertextualität statt Geschichte in Mashups -- Dampffantasien: Steampunkliteratur -- Spielzeit: Uchronischer Film -- Der uchronische politische Film -- Zweite Chancen: Private Uchronie im Film -- Uchronischer Film im weiteren Sinn -- Uchronie in der Filmproduktion -- Kunst und Krempel -- Exkurs: Des Teenagers alte Kleider -- Steampunk als Mode -- Die Botschaft der Dampfmaschinisten -- Reprise: Uchronische Musik -- Zwischenzeit: Versuch Einer Bilanz der Uchronie -- Anmerkungen -- Literatur -- Webpages -- Bildnachweise."]
[null,null,null,"Sommario/riassunto","Wie wäre die Weltgeschichte verlaufen, wenn Hitler den Zweiten Weltkrieg gewonnen hätte? Wenn die Südstaaten im amerikanischen Bürgerkrieg gesiegt hätten? Wenn die Computerrevolution nicht eingesetzt hätte? Johannes Dillinger nennt solche Gedankenspiele »Uchronien« und lässt seine Leser ein faszinierendes Genre entdecken - in Geschichtsschreibung und Literatur, Film und Popkultur. Dieses Buch "]
[{"$nulls":4},"voller Überraschungen zeigt, dass die Beschäftigung mit ungeschehener Geschichte nicht nur Ausgangspunkt zahlreicher literarischer Werke war, sondern auch Drehbuchautoren und Künstler inspiriert hat. Im »Steampunk« ist die Idee einer anders verlaufenen technischen Revolution zur Grundlage einer Szene-Ästhetik geworden, die auf die phantastischen Romane von Jules Verne zurückgeht.  Doch die Uchronie ist nicht nur heiteres Spiel mit Geschichte - sie kann von Historikern auch dazu genutzt werden, ihre eigenen Auffassungen über das Verhältnis von Gesetzmäßigkeit und Zufall, Individuum und Gesellschaft, Strukturen und Ereignissen zu überprüfen.  So bietet dieser unterhaltsame Parforceritt durch überraschende, kuriose und manchmal auch erschreckende Szenarien vielerlei Anregungen, um sich in die Welt der ungeschehenen Geschichte zu stürzen."]
[null,"2.","Record Nr.",null,"UNINA9910263842903321"]
[null,null,"Titolo",null,"Writing Emotions : Theoretical Concepts and Selected Case Studies in Literature / Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2018"]
[{"$nulls":4},"2018, c2017"]
[null,null,"ISBN",null,"9783839437933"]
[{"$nulls":4},"3839437938"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Lettre"]
[null,null,"Disciplina",null,"809/.93353"]
[null,null,"Soggetti",null,"Emotion"]
[{"$nulls":4},"Literature"]
[{"$nulls":4},"Writing"]
[{"$nulls":4},"Practice"]
[{"$nulls":4},"Aesthetic"]
[{"$nulls":4},"General Literature Studies"]
[{"$nulls":4},"British Studies"]
[{"$nulls":4},"German Literature"]
[{"$nulls":4},"Romance Studies"]
[{"$nulls":4},"Literary Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Contents    5 Preface    9 Emotions and the Process of Writing    17 The Affective Value of Fiction Presenting and Evoking Emotions    29 The Author - \"Specialize[d] in Having Fun\"? Cognitive Theories of Emotion and Literary Studies in the Context of Two Interviews with Michael Stavari    55 Emotions and/in Religion Reading Sigmund Freud, Rudolph Otto, and William James    77 Autism, Love, and Writing in and around Russian Literature On Feeling, Non-Feeling and Writing as a Communicative Medium to Express Emotions    99 Riding Emotions The Motorcycle as a Vehicle of Political E/Motions in Rachel Kushner's Novel The Flamethrowers    123 \"[] which approximates 'I love you'.\" Jonathan Safran Foer's Punctuation of Emotions    137 Form and Emotion in Stephen Chbosky's The Perks of Being a Wallflower    159 The Intermediality of Emotion Representations "]
[{"$nulls":4},"of Emotionality and Fear in YouTube Vlogs and Beyond    175 \"'Tis Magic, Magic that Hath Ravished Me\" Passionate Conjuring in Doctor Faustus and The Devil's Charter    197 Passionate Writing The Rhythms of Jealousy in Early Modern English Texts and Drama    215 When the Author Is Not the Author of Passions J.J. Engel's Herr Lorenz Stark and the Pathognomy of Style    233 How to Study Emotion Effects in Literature Written Emotions in Edgar Allan Poe's \"The Fall of the House of Usher\"    247 Posthuman Nostalgia? Re-Evaluating Human Emotions in Michel Houellebecq's La possibilité d'une île ..    265 Writing Disgust, Writing Realities The Complexity of Negative Emotions in Émile Zola's Nana    277 Breaking the Ice, Freezing the Laughter Authorial Empathy, Reader Response, and the Kafkaesque Poetics of Guilt and Shame    295 Hiding One's Feelings 'Emotionless' Rhetoric in Raul Hilberg's The Destruction of the European Jews and Peter Weiss's Die Ermittlung    311 Love under Threat The Emotional Valences of the Twilight Saga    347 AUTHORS    379"]
[null,null,null,"Sommario/riassunto","After a long period of neglect, emotions have become an important topic within literary studies. This collection of essays stresses the complex link between aesthetic and non-aesthetic emotional components and discusses emotional patterns by focusing on the practice of writing as well as on the impact of such patterns on receptive processes. Readers interested in the topic will be presented with a concept of aesthetic emotions as formative both within the writing and the reading process. Essays, ranging in focus from the beginning of modern drama to digital formats and theoretical questions, examine examples from English, German, French, Russian and American literature. Contributors include Angela Locatelli, Vera Nünning, and Gesine Lenore Schiewer."]
[{"$nulls":4},"Besprochen in:  literaturkritik.de, 8 (2017), Jan Süselbeck"]