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[null,"1.","Record Nr.",null,"UNISA996394626103316"]
[null,null,"Autore",null,"R. F. H (Robert F. Herrey), <16th cent.>"]
[null,null,"Titolo",null,"Tvvo right profitable and fruitfull concordances [[electronic resource] ] : or large and ample tables alphabeticall. The first conteyning the interpretation of the Hebrue, Caldean, Greeke, and Latine wordes and names scatteringly dispersed throughout the whole Bible, with their common places following euery of them: and the seconde comprehending all such other principall wordes and matters, as concerne the sense and meaning of the Scriptures, or direct vnto any necessary and good instruction. The further contents and vse of both the which tables, (for breuitie sake) is expressed more at large in the preface to the reader: and wil serue as well for the translation called Geneua, as for the other authorized to be read in churches. Collected by R.F.H"]
[null,null,"Pubbl/distr/stampa",null,"Imprinted at London, : By Christopher Barker, printer to the Queenes most excellent Maiestie, [1586]"]
[null,null,"Descrizione fisica",null,"[164] p"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","R.F.H. = Robert F. Herrey, possibly the pseudonym of Robert Harrison."]
[{"$nulls":4},"Publication date from STC."]
[{"$nulls":4},"At foot of title: Cum priuilegio Regiæ Maiestatis."]
[{"$nulls":4},"Signatures: A-K L2."]
[{"$nulls":4},"In this edition, \"B\" of signature B4 is under \"ion\" of \"habitation\"."]
[{"$nulls":4},"Issued with the Bible."]
[{"$nulls":4},"Identified as part of STC 2145 on UMI microfilm reel 1618."]
[{"$nulls":4},"Reproductions of the originals in the University of Illinois (Urbana-Champaign Campus). Library and Harvard University Library."]
[{"$nulls":4},"Appears at reel 1618 (University of Illinois (Urbana-Champaign Campus). Library copy) and at reel 1960 (Harvard University Library copy)."]
[null,null,null,"Sommario/riassunto","eebo-0062"]
[null,"2.","Record Nr.",null,"UNINA9910715287703321"]
[null,null,"Titolo",null,"Functional bureau strategy Global Engagement Center"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : [U.S. Department of State, Under Secretary for Public Diplomacy and Public Affairs], , 2018"]
[null,null,"Descrizione fisica",null,"1 online resource (10 pages)"]
[null,null,"Soggetti",null,"Cyber intelligence (Computer security) - United States"]
[{"$nulls":4},"Security, International - International cooperation"]
[{"$nulls":4},"Nuclear arms control - Government policy - United States"]
[{"$nulls":4},"Weapons of mass destruction - Government policy - United States"]
[{"$nulls":4},"United States Foreign relations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"For public release.\""]
[{"$nulls":4},"\"Approved: October 02, 2018.\""]
[null,"3.","Record Nr.",null,"UNINA9910810589803321"]
[null,null,"Titolo",null,"Activating the inanimate : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva"]
[null,null,"Pubbl/distr/stampa",null,"Oxfordshire, England : , : Inter-Disciplinary Press, , 2013"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"1-84888-121-5"]
[null,null,"Descrizione fisica",null,"1 online resource (251 p.)"]
[null,null,"Collana",null,"Critical Issues"]
[null,null,"Disciplina",null,"792"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"Performing arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Celia Morgan and Filipa Malva -- Symbolic Language and the Mythical Middle Ground / Celia Morgan -- Looking at Postmodern Performances of Canonical Plays / Bilha Blum -- The Full and the Void in the Theatre of Robert Wilson / Marcelo de Andrade Pereira -- The Power of Images in Performance: Josef Svoboda’s Scenography for Intolleranza 1960 at Boston Opera Company / Barbora Příhodová -- Loïe Fuller and her Legacy: The Visual and the Virtual / Liora Malka Yellin -- Little Cinderella, Big Cinderella: Scenography as Performance / Filipa Malva -- Visionary Voice / Silent Clown / Andrew Cope -- Bioscenography: Towards the Scenography of Non-Representation / Parjad Sharifi -- From Verbal to Visual: References to Clothes in Shakespeare’s Plays as Metaphor, Symbol and Concept for Costume Design / Pnina Black Porter -- Emotion and Memory: Clothing the Body as Performance / Jessica Bugg -- Dance Costumes on Display: Reflections and Practice / Sofia Pantouvaki -- Addressing the Absent: Drawing and Scenography / Kate Burnett -- The Explanatory Frame / Myer Taub -- Burning Man: Scenography for the Masses / Virginia L. Vogel -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning / Alexandra Antoniadou -- Where is the Performance? What has Become of It? / Myfanwyn Ryan -- Old Arts in New Media: Qualified Ontologies of ‘Live’ in the Age of Media Casting / Adele Anderson -- ‘Seed of the Image’: Image Metaphor as a Strategy of Creative Process and Ideological Resistance / Chee-Keng Lee -- Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of "]
[{"$nulls":4},"Subjectivity / Haya Cohen -- Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion / Idit Suslik -- Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary / Sarah Bonnie."]