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[null,"1.","Record Nr.",null,"UNISALENTO991002008739707536"]
[null,null,"Autore",null,"Gatti Perer, Maria Luisa"]
[null,null,"Titolo",null,"Fonti per l'architettura milanese dal XVI al XVIII secolo : Francesco Bernardino Ferrari e la sua raccolta di documenti e disegni : parte I / Maria Luisa Gatti Perer"]
[null,null,"Pubbl/distr/stampa",null,"Milano : La Rete, 1964"]
[null,null,"Descrizione fisica",null,"1 v. ; 31 cm"]
[null,null,"Disciplina",null,"720.945"]
[null,null,"Soggetti",null,"Ferrari, Bernardino Francesco Disegni Raccolta"]
[{"$nulls":4},"Ferrari, Bernardino Francesco Disegni Raccolta"]
[{"$nulls":4},"Milano Architettura Fonti Sec. 16.-18."]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Estr. da: Arte lombarda, a. 9(1965)"]
[null,"2.","Record Nr.",null,"UNINA9910810038303321"]
[null,null,"Autore",null,"Apor Balázs"]
[null,null,"Titolo",null,"The \"Invisible shining\" : the cult of Mátyás Rákosi in Stalinist Hungary, 1945-1956 / / Balázs Apor"]
[null,null,"Pubbl/distr/stampa",null,"Budapest, Hungary ; ; New York, New York : , : Central European University Press, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"963-386-193-4"]
[null,null,"Descrizione fisica",null,"1 online resource (417 pages) : illustrations"]
[null,null,"Disciplina",null,"943.9052092"]
[null,null,"Soggetti",null,"Cults - Political aspects - Hungary - History - 20th century"]
[{"$nulls":4},"Public opinion - Hungary - History - 20th century"]
[{"$nulls":4},"Communism - Hungary - History - 20th century"]
[{"$nulls":4},"Nationalism - Hungary - History - 20th century"]
[{"$nulls":4},"Hungary Politics and government 1945-1989"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: The Stalinist leader cult : origins, interpretations, and functions -- Part I. The construction of the cult -- The chronology of cult construction (1925-1953) -- The institutions and agents of cult construction -- \"The biography is a very serious issue\" : the role of biographies in constructing the Rákosi cult -- \"He was created by a thousand years\" : nationalism and the leader cult -- \"Comrade Rákosi lives with us\" : the visual and the spatial aspects of the Rákosi cult -- Part II. Responses to the cult's expansion -- \"Love for Comrade Rákosi has become deeper\" : the communicative influence of the cult -- \"Death to Uncle Rákosi!\" : negative perceptions of the cult -- Ignorance is bliss : popular indifference and the shortcomings of communist propaganda -- Part III. The dismantling of the cult -- The \"new course\" and the decay of the Rákosi cult, 1953-1956 -- The collapse of the Rákosi cult."]
[null,null,null,"Sommario/riassunto","This book offers a detailed analysis of the construction, reception, and eventual decline of the cult of the Hungarian Communist Party Secretary, Mátyás Rákosi, one of the most striking examples of orchestrated adulation in the Soviet bloc. While his cult never approached the magnitude of that of Stalin, Rákosi’s ambition to outshine the other “best disciples” and become the best of the best was "]
[{"$nulls":4},"manifest in his diligence in promoting a Soviet-type ritual system in Hungary. The main argument of The Invisible Shining is that the cult of personality is not just a curious aspect of communist dictatorship, it is an essential element of it. The monograph is primarily concerned with techniques and methods of cult construction, as well as the role various institutions played in the creation of mythical representations of political figures. While engaging with a wider international literature on Stalinist cults, the author uses the case of Rákosi to explore how personality cults are created, how such cults are perceived, and how they are eventually unmade. The book addresses the success—generally questionable—of such projects, as well as their uncomfortable legacies."]