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[null,"1.","Record Nr.",null,"UNINA9910816840803321"]
[null,null,"Autore",null,"Szendy Peter"]
[null,null,"Titolo",null,"Höre(n) : Eine Geschichte unserer Ohren / / Peter Szendy ; mit einem Vorwort  von Jean-Luc Nancy  Aus dem Französischen und mit einem Nachwort von Daniel Schierke"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn : , : Wilhelm Fink, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"3-8467-5660-1"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"780.1"]
[null,null,"Soggetti",null,"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Music - Acoustics and physics"]
[{"$nulls":4},"Music appreciation"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Ascoltando -- «Ich Höre Zu» -- Urheberrechte, Hörerrechte -- Sein Zuhören Aufschreiben: Arrangement, Übersetzung, Kritik -- Unsere Hörwerkzeuge vor dem III. Gesetz (Zweites Tagebuch) -- (Zu)Hören: Die Machart II. Des Modernen Ohrs -- Epilog: Das Plastische Hören -- Wie das Hören klingt."]
[null,null,null,"Sommario/riassunto","Peter Szendy legt mit seiner Studie eine Archäologie des musikalischen Zuhörens vor. Er schreibt eine Geschichte unserer Ohren und fragt danach, wie sie sich in der Vergangenheit verändert haben und welche neuen Möglichkeiten ihnen durch die technologischen Fortschritte im 21. Jahrhundert zur Verfügung stehen. Szendys Archäologie ist zugleich eine Rechtsgeschichte. Insbesondere legt er in seiner Studie dar, inwiefern unser Zuhören von juristischen Auseinandersetzungen geprägt worden ist und seit wann die eigenmächtige Verwendung eines Musikstücks nicht mehr als Ehrerbietung, sondern als Diebstahl geistigen Eigentums gilt. Anhand einer Analyse verschiedener Musikprozesse des 19. Jahrhunderts fragt der Autor nach der Genese des Urheberrechts, das das Hören von Musik unmittelbar veränderte. Aus der Rekonstruktion dieser Prozesse entsteht ein Bild wechselseitiger Beeinflussungen von Musik und Recht. Der Leser wird mit Tatorten des Zuhörens vertraut gemacht und trifft dabei auf Beethoven, Wagner, Schumann, Liszt u.v.m., die ihm jedoch nicht als Komponisten, sondern als Zuhörer begegnen. So wird eine völlig neue "]
[{"$nulls":4},"Musikgeschichte geschrieben."]
[null,"2.","Record Nr.",null,"UNINA9910810019803321"]
[null,null,"Autore",null,"Sohn Stephen Hong"]
[null,null,"Titolo",null,"Inscrutable belongings : queer Asian North American fiction / / Stephen Hong Sohn"]
[null,null,"Pubbl/distr/stampa",null,"Stanford, California : , : Stanford University Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"1-5036-0593-0"]
[null,null,"Descrizione fisica",null,"1 online resource (335 pages)"]
[null,null,"Collana",null,"Asian America"]
[null,null,"Disciplina",null,"813/.5409895"]
[null,null,"Soggetti",null,"Gay people's writings, American - History and criticism"]
[{"$nulls":4},"Gay people's writings, Canadian - History and criticism"]
[{"$nulls":4},"American fiction - Asian American authors - History and criticism"]
[{"$nulls":4},"Canadian fiction - Asian authors - History and criticism"]
[{"$nulls":4},"American fiction - 21st century - History and criticism"]
[{"$nulls":4},"Canadian fiction - 21st century - History and criticism"]
[{"$nulls":4},"Asian Americans in literature"]
[{"$nulls":4},"Families in literature"]
[{"$nulls":4},"Gay people in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction : imagining queer Asian North American lives -- Tactical diversions : toward queer Asian North American formalisms -- Narrative endurance : queer Asian North American storytellers, survival plots and inscrutable belongings -- Inscrutable belongings in pathology : infectious genealogies in Alexander Chee's Edinburgh -- Inscrutable belongings in cinema : filmic lineages in Noël Alumit's Letters to Montgomery Clift -- Inscrutable belongings in hunting : interracial surrogacies in Nina Revoyr's Wingshooters -- Inscrutable belongings in bondage : degenerate descendants in Lydia Kwa's Pulse."]
[null,null,null,"Sommario/riassunto","Inscrutable Belongings brings together formalist and contextual modes of critique to consider narrative strategies that emerge in queer Asian North American literature. Stephen Hong Sohn provides extended readings of fictions involving queer Asian North American storytellers, looking to texts including Russell Leong's \"Camouflage,\" Lydia Kwa's Pulse, Alexander Chee's Edinburgh, Nina Revoyr's Wingshooters, and Noël Alumit's Letters to Montgomery Clift. Despite many antagonistic "]
[{"$nulls":4},"forces, these works' protagonists achieve a revolutionary form of narrative centrality through the defiant act of speaking out, recounting their \"survival plots,\" and enduring to the very last page. These feats are made possible through their construction of alternative social structures Sohn calls \"inscrutable belongings.\" Collectively, the texts that Sohn examines bring to mind foundational struggles for queer Asian North Americans (and other socially marginalized groups) and confront a broad range of issues, including interracial desire, the AIDS/HIV epidemic, transnational mobility, and postcolonial trauma. In these texts, Asian North American queer people are often excluded from normative family structures and must contend with multiple histories of oppression, erasure, and physical violence, involving homophobia, racism, and social death. Sohn's work makes clear that for such writers and their imagined communities, questions of survival, kinship, and narrative development are more than representational—they are directly tied to lived experience."]