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[null,"1.","Record Nr.",null,"UNINA9910809986903321"]
[null,null,"Titolo",null,"Printing colour 1400-1700 : history, techniques, functions and receptions / / edited by Ad Stijnman and Elizabeth Savage"]
[null,null,"Pubbl/distr/stampa",null,"Boston : , : Brill, , 2015"]
[null,null,"ISBN",null,"90-04-29011-7"]
[null,null,"Descrizione fisica",null,"1 online resource (278 p.)"]
[null,null,"Collana",null,"Library of the written word, , 1874-4834 ; ; volume 41"]
[{"$nulls":4},"The handpress world ; ; VOLUME 32"]
[null,null,"Disciplina",null,"760.28"]
[null,null,"Soggetti",null,"Color prints, European"]
[{"$nulls":4},"Art and society - Europe - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"An Introduction to Colour in Printmaking 1400-1700 -- The Advent of Colour Printing, c.1400-1500 -- The Renaissance in Colour, c.1476-1600 -- Vivid Mannerism, c.1588-1650 -- Product Innovation and Commercial Enterprise, c.1620 -1700."]
[null,null,null,"Sommario/riassunto","In Printing Colour 1400–1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures."]