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[null,"1.","Record Nr.",null,"UNICAMPANIASUN0116343"]
[null,null,"Autore",null,"Michel, Christian"]
[null,null,"Titolo",null,"Le voyage d'Italie de Charles-Nicolas Cochin (1758) / Christian Michel"]
[null,null,"Pubbl/distr/stampa",null,"Rome : École française de Rome, 1991"]
[null,null,"Edizione",null,"[Edite en fac-simile avec une introduction et des notes]"]
[null,null,"Descrizione fisica",null,"VIII, 510 p., 24 carte di tav. : ill. ; 29 cm."]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910809915603321"]
[null,null,"Autore",null,"Freed Joanne Lipson <1983->"]
[null,null,"Titolo",null,"Haunting encounters : the ethics of reading across boundaries of difference / / Joanne Lipson Freed"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, New York ; ; London, [England] : , : Cornell University Press, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-5017-1382-5"]
[null,null,"Descrizione fisica",null,"1 online resource (pages cm)"]
[null,null,"Disciplina",null,"813/.0873309"]
[null,null,"Soggetti",null,"Ghosts in literature"]
[{"$nulls":4},"American fiction - 21st century - History and criticism"]
[{"$nulls":4},"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Ghost stories - History and criticism"]
[{"$nulls":4},"Supernatural in literature"]
[{"$nulls":4},"Commonwealth fiction (English) - 21st century - History and criticism"]
[{"$nulls":4},"Transnationalism in literature"]
[{"$nulls":4},"Difference (Philosophy) in literature"]
[{"$nulls":4},"Memory in literature"]
[{"$nulls":4},"Psychic trauma in literature"]
[{"$nulls":4},"Commonwealth fiction (English) - 20th century - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Figures of Estrangement -- 2. Telling the Traumas of History -- 3. Invisible Victims, Visible Absences -- 4. Haunting Futures and the Dystopian Imagination -- Conclusion -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Acts of cross-cultural reading have ethical consequences. In Haunting Encounters, Joanne Lipson Freed traces the narrative strategies through which certain works of fiction forge connections with their readers across boundaries of difference. Freed uses the idea of haunting-an intense, temporary, and transformative encounter that defies rational understanding-as a metaphor for the kinds of ethical relationships that such works cultivate with their readers across boundaries of difference. Freed points out how such works as Toni Morrison's Beloved, Leslie "]
[{"$nulls":4},"Marmon Silko's Ceremony, and Arundhati Roy's The God of Small Things strike a delicate balance between empathy and alterity. Their engaging narratives, Freed argues, bring unfamiliar characters and distant settings to life for readers who encounter them as \"other,\" but they also highlight the limits of fiction, holding in check the impulse to colonize another's experience with one's own. Haunting Encounters is a sensitive and perceptive application of theory to real-world concerns. It draws together the fields of postcolonial fiction and narrative ethics and suggests original modes of engagement between readers and books that promise new ways of looking at the world."]
[null,"3.","Record Nr.",null,"UNINA9910284456703321"]
[null,null,"Titolo",null,"Tanzpraxis in der Forschung – Tanz als Forschungspraxis : Choreographie, Improvisation, Exploration. Jahrbuch TanzForschung 2016 / Susanne Quinten, Stephanie Schroedter"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2018"]
[{"$nulls":4},"2018, c2016"]
[null,null,"ISBN",null,"9783839436028"]
[{"$nulls":4},"3839436028"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (248)"]
[null,null,"Collana",null,"TanzForschung"]
[null,null,"Disciplina",null,"792.8072"]
[null,null,"Soggetti",null,"Dance"]
[{"$nulls":4},"Tanz"]
[{"$nulls":4},"Artistic Research"]
[{"$nulls":4},"Künstlerische Forschung"]
[{"$nulls":4},"Practice-as-research"]
[{"$nulls":4},"Praxisgeleitete Forschung"]
[{"$nulls":4},"Knowledge"]
[{"$nulls":4},"Wissen"]
[{"$nulls":4},"Improvisation"]
[{"$nulls":4},"Exploration"]
[{"$nulls":4},"Body"]
[{"$nulls":4},"Körper"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Dance practice is gaining just as much in importance in research as it is becoming a kind of research in itself. Choreography, improvisation and exploration are expanding conventional discursive methods of knowledge generation and transfer to incorporate aesthetic dimensions of movement, corporeality, sensuality and emotion. This volume, with its interdisciplinary structure, provides an insight into the multi-faceted trend of research approaches that have either developed directly from, or refer back to, dance practice. Using projects as concrete examples, the contributions in this volume present theoretical and methodological foundations and historical connections advances in knowledge."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Vorwort    9 Künstlerisches Forschen in Wissenschaft und Bildung Zur Anerkennung und Nut zung leiblich-"]
[{"$nulls":4},"sinnlicher Erkenntnispotenziale    19 Kinästhetische Kommunikation und Intermediale Wissenstransformation als Forschungsmethoden in tanzkünstlerischen Kontexten    37 Das Erbe der Tanzmoderne im zeitgenössischen Kontext Ein Beispiel kooperativer Praxisforschung    49 Beyond the Ordinary On Artistic Research and Subversive Actions through Dance    63 Notation - Reflexion - Komposition Die Etüde »Star ting Point« von Jean Cébron    73 Write with Dance or We Are Lost The Ar t of Movement as Practice as Research    87 Zur Komplexität choreographischer Forschung: Forschungsvorstellungen, praxisimmanente Grenzziehungen und praktische Beglaubigungen Eine praxeologische Untersuchung    99 TranceForms. Eine künstlerische Übersetzung des orientalischen Frauenrituals Zâr für die zeitgenössische Bühne Verschriftlichung einer Lecture Performance Margrit Bischof und Maya Farner    111 Building Bodies - Parallel Practices Ein Bericht aus der choreographischen und tanzwissenschaf tlichen Forschung Rosalind Goldberg und Anne Schuh im Dialog    121 Reimagining the Body Attunement of Intentionality and Bodily Feelings    135 Tanztechnik 2.0 - Der Lehr- und Lernansatz nach Dorothee Günther Eine bewegungsreflexive Ausrichtung?    143 Praxis begreifen Eine praxeologische Perspektive auf Praktiken und Episteme des Wissens und Forschens im Kontext tänzerischer Vermittlung    155 Artistic Inquiry Eine Forschungsmethode in den künstlerischen Therapien    171 Physical Thinking as Research    183 Über Archive und heterotopische Orte Einblicke in eine körper- und bewegungsbasierte Biographieforschung    197 Moving Musicians Verkörperung von Musik als kreative Interpretation in dem Practice as Research Projekt »Creative Embodiment of Music«    209 Mutual Composing Practice-led Research: Improvisation in Dance and Music    217 Musikchoreographische Forschungspraxis Eine Fallstudie zur Historiographie des Experimentellen im Zusammenspiel von Tanz, Musik/Klang und Bildender Kunst    223 Biografien    241"]
[null,null,null,"Sommario/riassunto","Tanzpraxis gewinnt in der Forschung ebenso an Bedeutung wie sie selbst zur Forschung avanciert. Choreographie, Improvisation und Exploration erweitern herkömmliche diskursive Methoden der Wissensgenerierung und Wissensvermittlung um aisthetische Dimensionen der Bewegung, des Leiblichen, Sinnlichen und Affektiven. Dieser interdisziplinär angelegte Band eröffnet einen Einblick in die facettenreiche Vielfalt von Forschungsansätzen, die unmittelbar aus der Tanzpraxis hervorgehen oder auf tänzerische Praxen zurückgreifen. Die Beiträge stellen theoretische und methodische Grundlegungen, historische Bezüge sowie Erkenntnisgewinn exemplarisch an künstlerisch-kreativen, pädagogischen, therapeutischen und disziplinenüberschreitenden Projekten vor."]
[{"$nulls":4},"Dieser Sammelband [ist] insgesamt als Bereicherung des virulenten Diskurses zum Verhältnis Tanz/Forschung zu betrachten.«"]
[{"$nulls":4},"Besprochen in:UP TO DANCE, 2 (2017)XTRA, 333 (2017)Tanznetz.de – Das Spielzeitheft, 4 (2017), Anja K. Arend"]