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[null,"1.","Record Nr.",null,"UNINA9910495835103321"]
[null,null,"Autore",null,"Arnoux Mathilde"]
[null,null,"Titolo",null,"Geteilte Wirklichkeit : Für eine Geschichte der künstlerischen Beziehungen zwischen Ost und West im Europa des Kalten Krieges / / Mathilde Arnoux"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Maison des sciences de l’homme, 2021"]
[null,null,"ISBN",null,"2-7351-2821-0"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Collana",null,"Passerelles"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"art"]
[{"$nulls":4},"capitalisme"]
[{"$nulls":4},"communisme"]
[{"$nulls":4},"critique d'art"]
[{"$nulls":4},"guerre froide"]
[{"$nulls":4},"image"]
[{"$nulls":4},"marxisme"]
[{"$nulls":4},"pensée artistique"]
[{"$nulls":4},"pensée politique"]
[{"$nulls":4},"philosophie"]
[{"$nulls":4},"politique culturelle"]
[{"$nulls":4},"réalité"]
[{"$nulls":4},"réel"]
[{"$nulls":4},"relations artistiques"]
[{"$nulls":4},"réunification allemande"]
[{"$nulls":4},"rideau de fer"]
[{"$nulls":4},"socialisme"]
[{"$nulls":4},"sociologie des arts"]
[{"$nulls":4},"théorie critique"]
[{"$nulls":4},"XXe siècle"]
[{"$nulls":4},"20. Jahrhundert"]
[{"$nulls":4},"Wirklichkeit"]
[{"$nulls":4},"Realität"]
[{"$nulls":4},"Polen"]
[{"$nulls":4},"Philosophie"]
[{"$nulls":4},"Osteuropa"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Kunstbeziehungen"]
[{"$nulls":4},"Kunstgeschichte"]
[{"$nulls":4},"künstlerische Beziehungen"]
[{"$nulls":4},"Kalter Krieg"]
[{"$nulls":4},"Frankreich"]
[{"$nulls":4},"Europa"]
[{"$nulls":4},"Deutschland"]
[{"$nulls":4},"DDR"]
[{"$nulls":4},"BRD"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Traiter des relations artistiques européennes entre l’Est et l’Ouest pendant la guerre froide est un défi. En effet, la limitation des circulations et l’imprégnation du champ artistique par des idéologies rivales peut rendre la démarche illusoire, mais considérer ces limites incite à les questionner. S’appuyant sur des exemples concrets de relations artistiques entre la France, la RFA, la RDA et la Pologne, à la fois dans les discours sur l’art et dans les pratiques artistiques des années 1960 à 1989, cet ouvrage porte sur les conceptions singulières des notions de réel et de réalité selon les contextes, tout en éclairant les partages, incompréhension, malentendus. Musées, catalogues, revues, galeries, congrès, espaces extérieurs sont les lieux dans lesquels les facettes de ces conceptions prennent forme à travers les différents auteurs et acteurs de l’histoire de l’art que sont les artistes, les historiens et critiques d’art. À partir des distinctions et des rapprochements étudiés, cet essai interroge les précédentes analyses pour offrir un point de vue renouvelé sur ces relations, en Europe, durant cette période.  Die Auseinandersetzung mit den künstlerischen Beziehungen in Europa zwischen Ost und West während des Kalten Krieges ist eine Herausforderung. Die Einschränkung der Zirkulationsmöglichkeiten sowie die ideologische Durchdringung des künstlerischen Feldes scheinen dieses Unterfangen aussichtslos zu machen; diese Grenzen erneut in den Blick zu nehmen erfordert jedoch auch, sie in Frage zu stellen. Anhand konkreter Beispiele von Begegnungen zwischen Frankreich, der BRD, der DDR und Polen, sowohl in Kunstdiskursen als auch in der Kunst der 1960er- bis 1980er-Jahre, untersucht Mathilde Arnoux die jeweils unterschiedlichen Auslegungen der Konzepte der Wirklichkeit und des Wirklichen und beleuchtet gleichzeitig, inwiefern diese Wahrnehmungen geteilt und/oder missverstanden werden. Zeitschriften, Kataloge, Kongresse, Museen, Galerien und andere alternative…"]
[null,"2.","Record Nr.",null,"UNINA9910809596903321"]
[null,null,"Autore",null,"Willingham Elizabeth M (Elizabeth Moore)"]
[null,null,"Titolo",null,"The mythical Indies and Columbus's apocalyptic letter : imagining the Americas in the late Middle Ages / / Elizabeth Moore Willingham"]
[null,null,"Pubbl/distr/stampa",null,"Brighton : , : Sussex Academic Press, , 2015"]
[null,null,"ISBN",null,"1-78284-037-0"]
[{"$nulls":4},"1-78284-039-7"]
[null,null,"Descrizione fisica",null,"1 online resource (426 p.)"]
[null,null,"Disciplina",null,"970.01/5092"]
[null,null,"Soggetti",null,"Explorers - America"]
[{"$nulls":4},"Explorers - Spain"]
[{"$nulls":4},"America Early works to 1800"]
[{"$nulls":4},"America Discovery and exploration Spanish Sources"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Foreword: Aims and apparatus -- An introduction to Columbus's letter -- Discovery and commerce : a letter in folio -- A slippery job : identifying the folio's printer -- Lasting impressions : the initial and the types -- The letter goes abroad : the Roman connection -- Lost, found, and yet undiscovered : peninsular quartos -- Manuscripts : real and imagined -- Reading the Variorum -- A Variorum edition of the Spanish folio -- Debriefing : ink and paper, men, and stemma -- An English translation of the folio -- Parsing the reading -- Columbus and his apocalyptic letter -- Guide to abbreviations, frequent short references, proper names and symbols -- Glossary -- Publications of the Columbus letter -- Incunabula and early sixteenth-century books cited."]
[null,null,null,"Sommario/riassunto","\"With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those 'new' lands and their inhabitants that continues today. Columbus's epistolary announcement travelled from country to country in a late-medieval media event--and the rest, as has been observed, is history. The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed "]
[{"$nulls":4},"the Letter and had it printed in the Spanish folio. The Letter has figured in studies of Spanish imperialism and of discovery and colonial period history, but it also offers insights into Columbus's passions and motives as he reinvents himself and retails his vision of Peter Martyr's Novus orbis to men and women for whom Columbus was as unknown as the places he claimed to have visited. The central feature of the book is its annotated variorum edition of the Spanish Letter, together with an annotated English translation and word and name glossaries\"--Provided by publisher."]