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[null,"1.","Record Nr.",null,"UNINA9910809324903321"]
[null,null,"Autore",null,"Harding James Martin <1958->"]
[null,null,"Titolo",null,"The ghosts of the avant-garde(s) : exorcising experimental theater and performance / / James M. Harding"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor, : University of Michigan Press, 2013"]
[null,null,"ISBN",null,"0-472-02908-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (247 p.)"]
[null,null,"Classificazione",null,"PER011020ART015100"]
[null,null,"Disciplina",null,"792.02/23"]
[null,null,"Soggetti",null,"Experimental theater - History and criticism"]
[{"$nulls":4},"Experimental drama - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"\"Contents\"\"; \"\"Introduction\"\"; \"\"Chapter 1 - Avant-Garde Rhetoric: Show Trials and Collapsing Discourse at the Birth of Surrealism \"\"; \"\"Chapter 2 - From Anti-Culture to Counter-Culture: The Emergence of the American Hybrid Vanguardism \"\"; \"\"Chapter 3 - Critique of the Artist as (Re)producer: Warhol, The Living Theatre, and 'Frankenstein' \"\"; \"\"Chapter 4 - Brechtian Aesthetics and the Death of the Director in Peter Brook's 'The Mahabharata'\"\"; \"\"Chapter 5 - From Cutting Edge to Rough Edges: On the Transnational Foundations of Avant-Garde Performance \"\""]
[{"$nulls":4},"\"\"Chapter 6 - Performing the Vanquished Vanguards: Nostalgia, Globalization, and the Possibility of Contemporary Avant-Gardes \"\"\"\"Chapter 7 - Victims of History and the Ghosts of the Avant-Gardes: A Plausibly Deniable Conclusion \"\"; \"\"Notes\"\"; \"\"Index\"\""]
[null,null,null,"Sommario/riassunto","\" Pronouncements such as \"the avant-garde is dead,\" argues James M. Harding, have suggested a unified history or theory of the avant-garde. His book examines the diversity and plurality of avant-garde gestures and expressions to suggest \"avant-garde pluralities\" and how an appreciation of these pluralities enables a more dynamic and increasingly global understanding of vanguardism in the performing arts. In pursuing this goal, the book not only surveys a wide variety of canonical and noncanonical examples of avant-garde performance, but also develops a range of theoretical paradigms that defend the haunting cultural and political significance of avant-garde expressions beyond what critics have presumed to be the death of the avant-garde. The Ghosts of the Avant-Garde(s) offers a strikingly new perspective "]
[{"$nulls":4},"not only on key controversies and debates within avant-garde studies but also on contemporary forms of avant-garde expression within a global political economy\"--"]