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[null,"1.","Record Nr.",null,"UNISA990001568700203316"]
[null,null,"Autore",null,"FLOREA, Aurelia"]
[null,null,"Titolo",null,"Anziani e tempo libero / Aurelia Florea"]
[null,null,"Pubbl/distr/stampa",null,"Roma : La Nuova Italia Scientifica, 1982"]
[null,null,"Descrizione fisica",null,"128 p. ; 18 cm"]
[null,null,"Collana",null,"Progetto salute ; 66"]
[null,null,"Disciplina",null,"301.435"]
[null,null,"Collocazione",null,"II.5. Coll.33/ 9(VI I coll. 1/66)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Appendice : Il tempo libero degli anziani nelle leggi regionali"]
[null,"2.","Record Nr.",null,"UNISA996210788603316"]
[null,null,"Autore",null,"Soper Ella"]
[null,null,"Titolo",null,"Greening the Maple : Canadian Ecocriticism in Context"]
[null,null,"Pubbl/distr/stampa",null,"Calgary, : University of Calgary Press, 2013"]
[null,null,"Descrizione fisica",null,"1 electronic resource (624 p.)"]
[null,null,"Collana",null,"Energy, Ecology, and the Environment"]
[null,null,"Soggetti",null,"Literary studies: general"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Ecocriticism can be described in very general terms as the investigation of the many ways in which culture and the environment are interrelated and conceptualized. Ecocriticism aspires to understand and often to celebrate the natural world, yet it does so indirectly by focusing primarily on written texts. Hailed as one of the most timely and provocative developments in literary and cultural studies of recent decades, it has also been greeted with bewilderment or scepticism by those for whom its aims and methods are unclear. This book seeks to bring into view the development of ecocriticism in the context of Canadian literary studies. Selections include work by Margaret Atwood, Northrop Frye, Sherrill Grace, and Rosemary Sullivan."]
[null,"3.","Record Nr.",null,"UNINA9910808700303321"]
[null,null,"Autore",null,"Newman Michael Z."]
[null,null,"Titolo",null,"Video revolutions [[electronic resource] ] : on the history of a medium / / Michael Z. Newman ; cover design by Jason Alejandro ; cover art by Hollis Brown Thornton"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; Chichester, England : , : Columbia University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-231-53775-1"]
[null,null,"Descrizione fisica",null,"1 online resource (159 p.)"]
[null,null,"Disciplina",null,"302.23/4"]
[null,null,"Soggetti",null,"Video recordings - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Acknowledgments -- 1. Three Phases -- 2. Video as Television -- 3. Video as Alternative -- 4. Video as the Moving Image -- 5. Medium and Cultural Status -- Notes -- Select Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present-often the very problems associated with television and the society shaped by it-and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an "]
[{"$nulls":4},"object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status."]