{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":33,"n_cols":5,"rows_kept":33,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[13,2,13,3],[18,2,18,3],[18,4,18,5],[19,2,19,3],[19,4,19,5],[20,2,20,3],[20,4,20,5],[21,2,21,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[31,2,31,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910406459803321"]
[null,null,"Titolo",null,"Riforma/riforme : continuità o discontinuità? : sacramenti, pratiche spirituali e liturgia fra il 1450 e il 1600 / Fulvio Ferrario, Eduardo López-Tello García, Emanuela Prinzivalli (eds.)"]
[null,null,"Pubbl/distr/stampa",null,"Brescia, : Morcelliana"]
[{"$nulls":4},"[Roma], : Dipartimento di storia, antropologia, religioni, arte, spettacolo, Sapienza Università di Roma, 2019"]
[null,null,"ISBN",null,"978-88-372-3309-9"]
[null,null,"Descrizione fisica",null,"471 p. : ill. ; 23 cm"]
[null,null,"Collana",null,"Quaderni di Studi e materiali di storia delle religioni ; 22"]
[null,null,"Disciplina",null,"270.6"]
[null,null,"Locazione",null,"FSPBC"]
[null,null,"Collocazione",null,"XIV L 181"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[{"$nulls":4},"Francese"]
[{"$nulls":4},"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Atti del Convegno tenuto a Roma nel  2017"]
[{"$nulls":4},"Testi in italiano o in francese"]
[{"$nulls":4},"Riassunti in italiano e in inglese"]
[null,"2.","Record Nr.",null,"UNINA9910798412103321"]
[null,null,"Autore",null,"Marcus Greil"]
[null,null,"Titolo",null,"The History of Rock 'n' Roll in Ten Songs / / Greil Marcus"]
[null,null,"Pubbl/distr/stampa",null,"New Haven, CT : , : Yale University Press, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-300-19030-1"]
[null,null,"Descrizione fisica",null,"1 online resource (321 pages)"]
[null,null,"Disciplina",null,"782.4216609"]
[null,null,"Soggetti",null,"Rock music - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes discography, bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Shake Some Action -- Transmission -- In the Still of the Nite -- All I Could Do Was Cry -- Crying, Waiting, Hoping -- Money (That's What I Want) 1959-1963 -- This Magic Moment -- Guitar Drag -- To Know Him Is to Love Him -- Notes -- Acknowledgments -- Index"]
[null,null,null,"Sommario/riassunto","One of our finest critics gives us an altogether original history of rock 'n' roll Unlike all previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatize how each embodies rock 'n' roll as a thing in itself, in the story it tells, inhabits, and acts out-a new language, something new under the sun. \"Transmission\" by Joy Division. \"All I Could Do Was Cry\" by Etta James and then Beyoncé. \"To Know Him Is to Love Him,\" first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus's hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism-and its most gifted and incisive practitioner-is destined to become an enduring classic."]