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[null,"1.","Record Nr.",null,"UNINA9910798149803321"]
[null,null,"Autore",null,"Deharbe Charlène"]
[null,null,"Titolo",null,"Du théâtre au récit de soi dans le roman-mémoires du XVIIIe siècle / / par Charlène Deharbe"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill Rodopi, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"90-04-31450-4"]
[null,null,"Descrizione fisica",null,"1 online resource (417 p.)"]
[null,null,"Collana",null,"Faux Titre, , 0167-9392 ; ; Volume 409"]
[null,null,"Disciplina",null,"843/.509"]
[null,null,"Soggetti",null,"French fiction - 18th century - History and criticism"]
[{"$nulls":4},"First person narrative - History and criticism"]
[{"$nulls":4},"Theater in literature"]
[{"$nulls":4},"Self in literature"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Introduction -- 1 Du personnage dramaturge au texte de théâtre -- 2 La topique théâtrale : décors, déguisements, types -- 3 Ressorts, fonctions et effets de la théâtralité -- Conclusion -- Bibliographie -- Index nominum."]
[null,null,null,"Sommario/riassunto","Tout semble opposer le théâtre au récit de soi. Le premier se rattache aux arts du spectacle, tandis que le second relève de l’intime. Genre littéraire emblématique du XVIIIe siècle, le roman-mémoires invite à dépasser cette opposition. S’il place l’expérience vécue au cœur de son écriture, il s’approprie également le langage de la scène comique ou tragique au profit d’une fiction de l’intériorité. Ce livre montre ce que le roman-mémoires doit au théâtre, en étudiant comment son écriture s’élabore à partir de différents emprunts et procédés caractéristiques de la scène. En s’inventant au sein d’une culture dominée par le goût du spectacle, ce genre lègue ainsi à la littérature à venir les éléments constitutifs d’un langage de l’intime. Theatre and fictional memoir are supposedly opposites: the former has to do with the performing arts, while the latter focuses on the intimate side of life. A literary genre emblematic of the eighteenth century, fictional memoir invites readers to move beyond this assumption. Although lived experience is at the heart of the memoir, such fiction also appropriates the language of comedy or tragedy for the benefit of a novel of interiority. This book highlights fictional memoir’s debt to the theatre, while examining how "]
[{"$nulls":4},"its writing developed based on various borrowings and processes characteristic of the stage. By self-inventing within a culture dominated by enthusiasm for stage performance, this genre thereby endowed future literature with the constitutive elements of a language of the intimate."]
[null,"2.","Record Nr.",null,"UNINA9910777695403321"]
[null,null,"Autore",null,"Erasmo Mario"]
[null,null,"Titolo",null,"Roman tragedy [[electronic resource] ] : theatre to theatricality / / Mario Erasmo"]
[null,null,"Pubbl/distr/stampa",null,"Austin, : University of Texas Press, 2004"]
[null,null,"ISBN",null,"0-292-79754-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (224 p.)"]
[null,null,"Disciplina",null,"872/.0109"]
[null,null,"Soggetti",null,"Latin drama (Tragedy) - History and criticism"]
[{"$nulls":4},"Theater - History - To 500"]
[{"$nulls":4},"Theater - Rome"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 193-205) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- CONTENTS -- PREFACE -- Introduction THEATRE TO THEATRICALITY -- One CREATING TRAGEDY -- Two THEATRICALIZING TRAGEDY -- Three DRAMATIZING HISTORY -- Four CREATING METATRAGEDY -- Five METATRAGEDY -- APPENDIX Tragedies listed by Dramatist -- NOTES -- BIBLIOGRAPHY -- INDEX"]
[null,null,null,"Sommario/riassunto","Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman "]
[{"$nulls":4},"culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete."]