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[null,"1.","Record Nr.",null,"UNINA9910798114703321"]
[null,null,"Autore",null,"Singer Christoph"]
[null,null,"Titolo",null,"Sea change : the shore from Shakespeare to Banville / / Christoph Singer"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, [Netherlands] ; ; New York, New York : , : Rodopi, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"94-012-1186-8"]
[null,null,"Descrizione fisica",null,"1 online resource (305 p.)"]
[null,null,"Collana",null,"Spatial Practices, , 1871-689X ; ; 20"]
[null,null,"Disciplina",null,"809"]
[null,null,"Soggetti",null,"Seashore in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary material -- 1 Transformative Shores – An Introduction -- 2 Ambiguity -- 3 Liminality -- 4 Transgression -- 5 Conclusion: Epistemic Anxieties -- 6 Works Cited -- Index -- Appeared earlier in the SPATIAL PRACTICES: AN INTERDISCIPLINARY SERIES IN CULTURAL HISTORY, GEOGRAPHY AND LITERATURE."]
[null,null,null,"Sommario/riassunto","The shore defies definition. The shore deconstructs and rebuilds, is the beginning or end of a journey, initiates or stops mobility. Here survivors of shipwrecks, like Robinson Crusoe, escape their death; and the weary and tired, like Max Morden, wade back into the womb of nature. The shore is transformation spatialized. Still the coast as literary setting is more than a decorative space. Its utopian/dystopian nature, its liminality and ambiguity invite transgressions of various kinds, which undermine any notion of stable and fixed borders and boundaries. The littoral is liminal, a third space that contests and deconstructs epistemic certainties. This study illustrates this paradigmatic nature of shorelines from William Shakespeare’s The Tempest to John Banville’s The Sea ."]