{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":41,"n_cols":5,"rows_kept":41,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[14,2,14,3],[17,2,17,3],[17,4,17,5],[18,2,18,3],[18,4,18,5],[19,2,19,3],[19,4,19,5],[20,2,20,3],[22,2,22,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[30,2,30,3],[33,2,33,3],[34,2,34,3],[38,2,38,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910798029803321"]
[null,null,"Titolo",null,"Brill's companion to the reception of Senecan tragedy : scholarly, theatrical and literary receptions / / edited by Eric Dodson-Robinson"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, Massachusetts : , : Brill, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"90-04-31098-3"]
[null,null,"Descrizione fisica",null,"1 online resource (342 p.)"]
[null,null,"Collana",null,"Brill's companions to classical reception, , 2213-1426 ; ; 5"]
[null,null,"Disciplina",null,"872/.01"]
[null,null,"Soggetti",null,"Latin drama (Tragedy) - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- 1 Introduction / Eric Dodson-Robinson -- 2 Imago res mortua est: Senecan Intertextuality / Christopher Trinacty -- 3 Seneca Tragicus and Stoicism / Christopher Star -- 4 Senecan Tragedy and the Politics of Flavian Literature / Peter J. Davis -- 5 Seneca Rediscovered: Recovery of Texts, Reinvention of a Genre / Gianni Guastella -- 6 The Reception of Seneca in the Crowns of Aragon and Castile in the Fourteenth and Fifteenth Centuries / Tomàs Martínez Romero -- 7 The Reception of the Tragedies of Seneca in the Sixteenth and Seventeenth Centuries in France / Florence de Caigny and Eric Dodson-Robinson -- 8 Germany and the Netherlands: Tragic Seneca in Scholarship and on Stage / Joachim Harst -- 9 Early ‘English Seneca’: From ‘Coterie’ Translations to the Popular Stage / Jessica Winston -- 10 Shakespeare vs. Seneca: Competing Visions of Human Dignity / Patrick Gray -- 11 Senecan Gothic / Helen Slaney -- 12 Nineteenth- and Early Twentieth-Century Receptions of Seneca Tragicus / Francesco Citti -- 13 Seneca Our Contemporary: The Modern Theatrical Reception of Senecan Tragedy / Ralf Remshardt -- 14 Rereading Seneca: The Twenty-First Century and Beyond / Siobhán McElduff -- Index."]
[null,null,null,"Sommario/riassunto","In Brill's Companion to the Reception of Senecan Tragedy , Eric Dodson-Robinson incorporates essays by specialists working across disciplines and national literatures into a subtle narrative tracing the diverse scholarly, literary and theatrical receptions of Seneca's tragedies. The tragedies, influential throughout the Roman world well beyond Seneca's time, plunge into obscurity in Late Antiquity and nearly disappear during the Middle Ages. Profound consequences "]
[{"$nulls":4},"follow from the rediscovery of a dusty manuscript containing nine plays attributed to Seneca: it is seminal to both the renaissance of tragedy and the birth of Humanism. Canonical Western writers from Antiquity to the present have revisited, transformed, and eviscerated Senecan precedents to develop, in Dodson-Robinson's words, \\'competing tragic visions of agency and the human place in the universe.\\'"]
[null,"2.","Record Nr.",null,"UNINA9910813426603321"]
[null,null,"Autore",null,"Willson Jacki"]
[null,null,"Titolo",null,"Being gorgeous : feminism, sexuality and the pleasures of the visual. / / Jacki Willson"]
[null,null,"Pubbl/distr/stampa",null,"London [England] : , : I.B. Tauris & Co. Ltd, , 2015"]
[{"$nulls":4},"[London, England] : , : Bloomsbury Publishing, , 2019"]
[null,null,"ISBN",null,"0-85773-999-9"]
[{"$nulls":4},"0-7556-9397-3"]
[{"$nulls":4},"1-78076-284-4"]
[{"$nulls":4},"0-85772-691-9"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (242 p.)"]
[null,null,"Collana",null,"International Library of Cultural Studies ; ; 27"]
[null,null,"Disciplina",null,"305.42"]
[null,null,"Soggetti",null,"Feminine beauty (Aesthetics)"]
[{"$nulls":4},"Femininity"]
[{"$nulls":4},"Sex role"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 214-223) and index."]
[null,null,"Nota di contenuto",null,"Introduction: Being Gorgeous and Feminism -- Part One:  Sexuality, Gender & the Art & Erotics of Visual Extravagance. 1 Drop Dead Gorgeous ; 2 Skin Deep -- Part Two: The Pleasure of the Visual (Being Gorgeous and the 'Low'). 3 Crinoline & Cupcakes ; 4 Powder Puff & Beauty Spots -- Part Three: Bitter-Sweet Poetry (Being Gorgeous and the 'High'). 5 The Paradoxical Body ; 6 The Sensual Body ; 7 Pleasure, Violence & the Sensual Spectacle ; 8 Creative Spectatorship & the Political Imagination -- Conclusion -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","Being Gorgeous explores the ways in which extravagance, flamboyance and dressing up can open up possibilities for women to play around anarchically with familiar stereotypical tropes of femininity. This is protest through play - a pleasurable misbehaviour that reflects a feminism for the twenty-first century. Jacki Willson discusses how, whether through pastiche, parody, or pure pleasure, artists, artistes and indeed the spectators themselves can operate in excess of the restrictive images which saturate our visual culture. By referring to a wide spectrum of examples, including Sofia Coppola's Marie Antoinette, Matthew Barney, Dr Sketchy's, Audacity Chutzpah, Burly Q and Carnesky's Ghost Train, Being Gorgeous demonstrates how contemporary female performers embody, critique and thoroughly "]
[{"$nulls":4},"relish their own representation by inappropriately re-appropriating femininity."]