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[null,"1.","Record Nr.",null,"UNINA9910797894703321"]
[null,null,"Titolo",null,"Despite all adversities : Spanish-American adversities queer cinema / / edited by Andrés Lema-Hincapié and Debra A. Castillo ; contributors, Daniel Balderston [and fifteen others]"]
[null,null,"Pubbl/distr/stampa",null,"Albany, New York : , : SUNY Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-4384-5912-2"]
[null,null,"Descrizione fisica",null,"1 online resource (322 p.)"]
[null,null,"Collana",null,"SUNY series, Genders in the Global South"]
[null,null,"Disciplina",null,"791.43/652968073"]
[null,null,"Soggetti",null,"Hispanic Americans in the motion picture industry"]
[{"$nulls":4},"Homosexuality in motion pictures"]
[{"$nulls":4},"Gay people in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Contents --  Acknowledgments --  Introduction --  Meeting the Macho --  LGBTQ in Latin America --  About this Book --  Appendix: Further Readings --  Notes --  Part I: Queer Subjectivity, Desire, and Eroticism  --  1. Queer Couples in Seaora de Nadie (María Luisa Bemberg, 1982)  --  2. Fresa y chocolate: The Allure of Passions and Controversies (Tomás Gutiérrez Alea and Juan Carlos Tabío, 1993)  --  3. A Gaynster Quasi-Tragedy: Eroticism and Secrets in Plata quemada (Marcelo Piñeyro, 2000) Greek Tragedy and the Reviews --  4. Pathology, Poetry, and Pleasure: HIV/AIDS, Confessional Writing, and S/M in Un año sin amor (Anahí Berneri, 2005)  --  Part II: Gay Authorship-Queer Agency and Spectatorship  --  5. La venganza del sexo: The Curious Mutation from Horror Fantasy into Sexploitation Film (Emilio Vieyra, 1967)  --  6. Inside-Out: A Socio-Spatial Reading of Mecanicas celestes (Fina Torres, 1995)  --  7. La Virgen de los Sicarios: From Novel to Film (Barbet Schroeder, 2000) Notes --  8. A Case Study in Transnational Gay Auteurism: Mil nubes de paz cercan el cielo, amor, jamás acabarás de ser amor (Julián Hernández, 2004)  --  9. Haunted: XXY (Lucía Puenzo, 2007)  -- Part III: Bisexuality Experiences and Lesbian Identities  --  10. Excluded Middle? Bisexuality in Doña Herlinda y su hijo (Jaime Humberto Hermosillo, 1984)  --  11. The Construction of the Bisexual Subject in No se lo digas a nadie (Francisco Lombardi, 1998) --    12. Lesbians Made in Mexico: Sexual Diversity and Transnational Fluxes --  "]
[{"$nulls":4},"Part IV: Queer Relations with Families  --  13. Clothes Make the Man: Closet, Cabaret, Cinema in El lugar sin límites (Arturo Ripstein, 1977)  --  14. Families, Landowners, Servants, and Siblings in La ciénaga (Lucrecia Martel, 2001)  --  15. Mapping Guilt, Betrayal, and Redemption: En la ciudad sin límites (Antonio Hernández, 2002) -- 16. Ronda nocturna: A Homage to Buenos Aires (Edgardo Cozarinsky -- Contributors-- Indexes."]
[null,null,null,"Sommario/riassunto","examines a representative selection of notable queer films by Spanish America's most important directors since the 1950s. Each chapter focuses on a single film and offers rich and thoughtful new interpretations by a prominent scholar. The book explores films from across the region. A survey of recent lesbian-themed Mexican films is also included."]
[null,"2.","Record Nr.",null,"UNINA9910813484903321"]
[null,null,"Autore",null,"Farronato Cristina"]
[null,null,"Titolo",null,"Eco's chaosmos : from the Middle Ages to postmodernity / / Cristina Farronato"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2003"]
[{"$nulls":4},"©2003"]
[null,null,"ISBN",null,"1-281-99456-1"]
[{"$nulls":4},"9786611994563"]
[{"$nulls":4},"1-4426-7425-3"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (263 p.)"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Disciplina",null,"853/.914"]
[null,null,"Soggetti",null,"American fiction - 20th century"]
[{"$nulls":4},"Gay erotic stories, American"]
[{"$nulls":4},"Gay men - Sexual behavior"]
[{"$nulls":4},"Gay men's writings, American"]
[{"$nulls":4},"LITERARY CRITICISM / European / Italian"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- From cosmos to chaosmos: Eco and Joyce -- Semiotics as a solution: from a theory of aesthetics to the study of culture -- The aesthetics of reception and the reflection on the reader: from the labyrinth to the Southern Seas -- Intertextuality: the Middle Ages, postmodernity, and the use of citation -- A theory of medieval laughter: the comic, humour, and wit -- The whodunit and Eco's postmodern fiction -- Baudolino and the language of monsters -- Conclusion."]
[null,null,null,"Sommario/riassunto","\"While Umberto Eco's intellectual itinerary was marked by his early studies of post-Crocean aesthetics and his concentration on linguistics, information theory, structuralism, semiotics, cognitive science, and media studies, what distinguishes his critical and fictional writing is the tension between a typically medieval search for a code and a hermeneutic representative of deconstructive tendencies. This tension between cosmos and chaos, order and disorder, is reflected in the word "]
[{"$nulls":4},"chaosmos.\" \"In this assessment of the philosophical basis of Eco's critical and fictional writing, Cristina Farronato explores the other distinctive aspect of Eco's thought - the struggle for a composition of opposites, the outcome deriving from his ability to elicit similar contrasts from the past and replay them in modern terms. Focusing principally on how Eco's scholarly background influenced his study of semiotics, Farronato analyses The Name of the Rose in relation to William of Ockhman's epistemology, C.S. Peirce's work on abduction, and Wittgenstein's theory of language. She also discusses Foucault's Pendulum as an explicit comment on the modern debate on interpretation through a direct reference to early modern hermetic thought, correlates The Island of the Day Before as a postmodern mixture of science and superstition, and reviews Baudolino as a historical/fantastic novel that again situates the Middle Ages in a postmodern context. Demonstrating Eco's use of semiotic theory, Eco's Chaosmos shows how critical models of the past map contemporary literature and culture.\"--Jacket"]