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[null,"1.","Record Nr.",null,"UNINA9910797625603321"]
[null,null,"Autore",null,"Crocker Terri Blom"]
[null,null,"Titolo",null,"The Christmas truce : myth, memory, and the First World War / / Terri Blom Crocker ; foreword by Peter Grant"]
[null,null,"Pubbl/distr/stampa",null,"Lexington, Kentucky : , : University Press of Kentucky, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-8131-7402-3"]
[{"$nulls":4},"0-8131-6665-9"]
[{"$nulls":4},"0-8131-6616-0"]
[null,null,"Descrizione fisica",null,"1 online resource (311 p.)"]
[null,null,"Disciplina",null,"940.4/21"]
[null,null,"Soggetti",null,"Christmas Truce, 1914"]
[{"$nulls":4},"World War, 1914-1918 - Campaigns - Western Front"]
[{"$nulls":4},"World War, 1914-1918 - Armistices"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"A candle lit in the darkness\": the Christmas truce and the First World War -- \"Absolute hell\": the Western Front in 1914 -- \"A great day with our enemies\": the Christmas truce -- \"No war today\": the Christmas truce as reported in official war diaries and regimental histories -- \"One day of peace at the front\": the Christmas truce and the British press -- \"That unique and weird Christmas\": the Christmas truce during the war -- \"The curious Christmas truce\": the First World War and the Christmas truce, 1920-1959 -- \"The famous Christmas truce\": the First World War and the Christmas truce, 1960-1969 -- \"The legendary Christmas truce\": the First World War, the Christmas truce, and social history, 1970-1989 -- \"Memories of Christmas 1914 persist\": orthodoxy, revisionism, and the Christmas truce, 1990-2014 -- \"It was peace that won\": the Christmas truce and the narrative of the First World War."]
[null,null,null,"Sommario/riassunto","The 1914 Christmas truce, when enemy soldiers met, fraternized, and even played football in No Man's Land during the first year of the First World War, is commonly perceived as a manifestation of the anger that soldiers felt toward the meaningless war that they had been tricked into fighting. Contemporaneous sources, however, show that the truce was not an act of defiance; rather, it arose from the professionalism of the soldiers involved, the conditions of static trench warfare, foul weather "]
[{"$nulls":4},"on the Western Front, the absence of major battles, and memories of traditional celebrations of Christmas. The truce, in short, was caused by rain, mud, curiosity, lack of personal animosity toward the enemy, and homesickness, rather than by frustration and rebellion."]
[null,"2.","Record Nr.",null,"UNINA9910959694303321"]
[null,null,"Autore",null,"Minestrelli Chiara"]
[null,null,"Titolo",null,"Australian indigenous hip hop : the politics of culture, identity, and spirituality / / Chiara Minestrelli"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; London : , : Routledge, , 2017"]
[null,null,"ISBN",null,"1-317-21753-5"]
[{"$nulls":4},"1-315-62063-4"]
[{"$nulls":4},"1-317-21754-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (263 pages)"]
[null,null,"Collana",null,"Routledge Studies in Hip Hop and Religion"]
[null,null,"Disciplina",null,"782.4216490994"]
[null,null,"Soggetti",null,"Rap (Music) - Political aspects - Australia"]
[{"$nulls":4},"Rap (Music) - Social aspects - Australia"]
[{"$nulls":4},"Aboriginal Australians - History and criticism"]
[{"$nulls":4},"Hip-hop - Australia"]
[{"$nulls":4},"Music - Contemporary - Hip Hop"]
[{"$nulls":4},"Music - Contemporary - Rap"]
[{"$nulls":4},"Music - Theory and criticism"]
[{"$nulls":4},"Social identity - Mixed descent"]
[{"$nulls":4},"Social identity - Aboriginality"]
[{"$nulls":4},"Art - Artists - Women"]
[{"$nulls":4},"Language"]
[{"$nulls":4},"Social behaviour"]
[{"$nulls":4},"Religion"]
[{"$nulls":4},"Art - Artists - Men"]
[{"$nulls":4},"Politics and Government - Political action - Activism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"1. \"The Black from Down-Unda\" : contact Zones and cultures of Black resistance -- 2. \"2 Black 2 Strong\" : the politics of Blackness and identification -- 3. 'Indigenous Hip Hop' : the politics of identity and representation -- 4. \"Know our True Identity\" : indigenous articulations of identity through kin, place, and spirituality -- 5. Hip hop and Australian indigenous youth : new modes of political participation."]
[null,null,null,"Sommario/riassunto","This book investigates the discursive and performative strategies employed by Australian Indigenous rappers to make sense of the world "]
[{"$nulls":4},"and establish a position of authority over their identity and place in society. Focusing on the aesthetics, the language, and the performativity of Hip Hop, this book pays attention to the life stance, the philosophy, and the spiritual beliefs of Australian Indigenous Hip Hop artists as 'glocal' producers and consumers. With Hip Hop as its main point of analysis, the author investigates, interrogates, and challenges categories and preconceived ideas about the critical notions of authenticity, 'Indigenous' and dominant values, spiritual practices, and political activism. Maintaining the emphasis on the importance of adopting decolonizing research strategies, the author utilises qualitative and ethnographic methods of data collection, such as semi-structured interviews, informal conversations, participant observation, and fieldwork notes. Collaborators and participants shed light on some of the dynamics underlying their musical decisions and their view within discussions on representations of 'Indigenous identity and politics'. Looking at the Indigenous rappers' local and global aspirations, this study shows that, by counteracting hegemonic narratives through their unique stories, Indigenous rappers have utilised Hip Hop as an expressive means to empower themselves and their audiences, entertain, and revive their Elders' culture in ways that are contextual to the society they live in."]