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[null,"1.","Record Nr.",null,"UNINA9910797624703321"]
[null,null,"Autore",null,"Tenney James"]
[null,null,"Titolo",null,"From scratch : writings in music theory / / James Tenney ; edited by Larry Polansky [and three others]"]
[null,null,"Pubbl/distr/stampa",null,"Urbana, [Illinois] : , : University of Illinois Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-252-09667-3"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"780.922"]
[null,null,"Soggetti",null,"Composers"]
[{"$nulls":4},"Music theorists"]
[{"$nulls":4},"Music theory"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction / Larry Polansky -- On the development of the structural potentialities of rhythm, dynamics, and timbre in the early nontonal music of Arnold Schoenberg (1959) -- Meta [does not equal] Hodos (1961) -- Computer music experiences, 1961-1964 (1964) -- On the physical correlates of timbre (1965) -- Excerpts from \"An experimental investigation of timbre---the violin\" (1966) -- Form in twentieth-century music (1969-70) -- META Meta [does not equal] Hodos (1975) -- The chronological development of Carl Ruggles's melodic style (1977) -- Hierarchical temporal gestalt perception in music: a metric space model (with Larry Polansky) (1978-80) -- Introduction to \"Contributions toward a quantitative theory of harmony\" (1979) -- The structure of harmonic series aggregates (1979) -- John Cage and the theory of harmony (1983) -- Reflections after Bridge (1984) -- Review of Music as heard by Thomas Clifton (1985) -- About Changes: sixty-four studies for six harps (1987) -- Darmstadt lecture (1990) -- The several dimensions of pitch (1993/2003) -- On \"crystal growth\" in harmonic space (1993/2003) -- About Dispason (1996) -- Appendix 1. Pre-Meta [does not equal] Hodos (1959) -- Appendix 2. On musical parameters (ca. 1960-1961) -- Appendix 3. Excerpt from A history of 'consonance' and 'dissonance' (1988)."]
[null,null,null,"Sommario/riassunto","One of the twentieth century's most important musical thinkers, James Tenney did pioneering work in multiple fields, including computer music, tuning theory, and algorithmic and computer-assisted "]
[{"$nulls":4},"composition. From Scratch is a collection of Tenney's hard-to-find writings arranged, edited, and revised by the self-described \"composer/theorist.\" Selections focus on his fundamental concerns--\"what the ear hears\"--and include thoughts and ideas on perception and form, tuning systems and especially just intonation, information theory, theories of harmonic space, and stochastic (chance) procedures of composition."]