{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[14,2,14,3],[15,2,15,3],[19,2,19,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910797199103321"]
[null,null,"Titolo",null,"Moving sites : investigating site-specific dance performance / / edited by Victoria Hunter"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2015"]
[null,null,"ISBN",null,"1-317-53249-X"]
[{"$nulls":4},"0-415-71325-0"]
[{"$nulls":4},"1-315-72495-2"]
[{"$nulls":4},"1-317-53250-3"]
[null,null,"Descrizione fisica",null,"1 online resource (xvi, 494 pages)"]
[null,null,"Disciplina",null,"792.8/2"]
[{"$nulls":4},"792.82"]
[null,null,"Soggetti",null,"Choreography"]
[{"$nulls":4},"Dance - Stage-setting and scenery"]
[{"$nulls":4},"Dance - Social aspects"]
[{"$nulls":4},"Dance - Study and teaching"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Introduction  -- PART I Approaching the site: experiencing space and place -- 1 Experiencing space: the implications for site-specific dance performance  -- 2 Sited conversations -- 3 Between dance and architecture  -- 4 Atmospheric choreographies and air-conditioned bodies -- 5 Embodying the site: the here and now in site-specific dance performance -- PART II Experiencing site: locating the experience  -- 6 Homemade circus: investigating embodiment in academic spaces -- 7 Sharing occasions at a distance: the different dimensions of comobility -- 8 Video space: a site for choreography  -- 9 Placing the body in mixed reality -- 10 Spatial translation, embodiment and the site-specific event -- PART III Engaging with the built environment and urban practice -- 11 City of lovers -- 12 Dancing the history of urban change in the Bay and beyond -- 13 Site-specific dance in a corporate landscape: space, place, and non-place -- 14 Stop. Look. Listen. What’s going on? -- 15 Witnessing dance in the streets: Go! Taste the City -- PART IV Environmental and rural practice -- 16 Dancing the beach: in between land, sea and sky -- 17 ‘Moving beyond inscription to incorporation’: the four dynamics of ecological "]
[{"$nulls":4},"movement in site-specific performance -- 18 Strategies of interruption: slowing down and becoming sensate in site-responsive dance -- 19 Diving into the wild: ecologies of performance in Devon and Cornwall -- 20 Spectacle, world, environment, void: understanding nature through rural site-specific dance -- Part V Sharing the site: community, impact and affect -- 21 From urban cities and the tropics to site-dance in the world heritage stetting of Melaka: an Australian practitioner’s journey -- 22 Dancing in place: site-specific work -- 23 Activating intersubjectivities in site-specific contemporary dance -- 24 Site of the Nama Stap Dance -- 25 Moving sites: transformation and re-location in site-specific dance performance."]
[null,null,null,"Sommario/riassunto","Moving Sites explores site-specific dance practice through a combination of analytical essays and practitioner accounts of their working processes. In offering this joint effort of theory and practice, it aims to provide dance academics, students and practitioners with a series of discussions that shed light both on approaches to making this type of dance practice, and evaluating and reflecting on it. The edited volume combines critical thinking from a range of perspectives including commentary and observation from the fields of dance studies, human geography and spatial theory in order to present interdisciplinary discourse and a range of critical and practice-led lenses through which this type of work can be considered and explored. In so doing, this book addresses　the following questions: How do choreographers make site-specific dance performance?; What occurs when a moving　body engages with site, place and environment?; How might we interpret, analyse and evaluate this type of dance practice through a range of theoretical lenses?; How can this type of practice inform wider discussions of embodiment, site, space, place and environment? This innovative and exciting book seeks to move beyond description and discussion of site-specific dance as a spectacle or novelty and considers site-dance as a valid and vital form of contemporary dance practice that explores, reflects, disrupts, contests and develops understandings and practices of inhabiting and engaging with a range of sites and environments."]