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[null,"1.","Record Nr.",null,"UNINA9910796479303321"]
[null,null,"Autore",null,"Rodríguez Reina María <1952->"]
[null,null,"Titolo",null,"Other Letters to Milena / Otras cartas a Milena [[electronic resource] /] / Reina Maria Rodriguez ; translated by Kristin Dykstra"]
[null,null,"Pubbl/distr/stampa",null,"Tuscaloosa, Alabama : , : The University of Alabama Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8173-8803-6"]
[null,null,"Descrizione fisica",null,"1 online resource (136 p.)"]
[null,null,"Disciplina",null,"861.64"]
[{"$nulls":4},"861/.64"]
[null,null,"Soggetti",null,"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Locating Milena; A Note on the Text; Duda / Doubt; Paso de nubes / Passage of Clouds; El pulpo / The Octopus; El mascarón / The Figurehead; El fotógrafo / The Photographer; El cuento de la niña / The Girl's Story; Una casa de Ánimas / A House on Ánimas; Diotima / Diotima; La voz del Niágara / The Voice of the Niagara; Alfiles / Bishops; El diablo / The Devil; La zanja / The Grave; Una muchacha llevó las primeras flores /A Young Woman Brought the First Flowers; Un cementerio para ella / A Cemetery for Her"]
[{"$nulls":4},"Como Tolstoi narra en Resurrección /As Tolstoy Recounts in Resurrection"]
[null,null,null,"Sommario/riassunto","Published in Spanish as Otras cartas a Milena, Other Letters to Milena shows Rodríguez confronting pressing issues at the turn of the twenty-first century. These involve a new post-Soviet world and the realities of diasporic existence, which have a profound effect even on people like Rodríguez who have not migrated but continue to live and work in their home nation. The book's title references Franz Kafka, whose Letters to Milena was published after his death in 1952, signals that Rodríguez participates in her city's long cosmopolitan tradition asserted by Cuban writers and scholars of Cuban l"]