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[null,"1.","Record Nr.",null,"UNINA9910786792103321"]
[null,null,"Autore",null,"Ikoniadou Eleni"]
[null,null,"Titolo",null,"The rhythmic event : art, media, and the sonic / / Eleni Ikoniadou"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Massachusetts : , : MIT Press, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-262-32095-9"]
[{"$nulls":4},"0-262-32094-0"]
[null,null,"Descrizione fisica",null,"1 online resource (130 p.)"]
[null,null,"Collana",null,"Technologies of lived abstraction"]
[null,null,"Disciplina",null,"786.7/11"]
[null,null,"Soggetti",null,"Electronic music - History and criticism"]
[{"$nulls":4},"Avant-garde (Music)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Series Foreword; Acknowledgments; Introduction: Abstract Audio; 1 Virtual Digitality; 2 Hypersonic Sensation; 3 Rhythmic Time; Conclusions: Rhythm and Event; Notes; References; Index"]
[null,null,null,"Sommario/riassunto","\"The sonic has come to occupy center stage in the arts and humanities. In the age of computational media, sound and its subcultures can offer more dynamic ways of accounting for bodies, movements, and events. In 'The Rhythmic Event', Eleni Ikoniadou explores traces and potentialities prompted by the sonic but leading to contingent and unknowable forces outside the periphery of sound. She investigates the ways in which recent digital art experiments that mostly engage with the virtual dimensions of sound suggest alternate modes of perception, temporality, and experience. Ikoniadou draws on media theory, digital art, and philosophical and technoscientific ideas to work toward the articulation of a media philosophy that rethinks the media event as abstract and affective. 'The Rhythmic Event' seeks to define the digital media artwork as an assemblage of sensations that outlive the space, time, and bodies that constitute and experience it. Ikoniadou proposes that the notion of rhythm - detached, however, from the idea of counting and regularity - can unlock the imperceptible, aesthetic potential enveloping the artwork. She speculates that addressing the event on the level of rhythm affords us a glimpse into the nonhuman modalities of thought proper to the digital and hidden in the gaps between strict definitions (e.g., human/sonic/digital) and false dichotomies (e.g., virtual/real). Operating at the margins of perception, "]
[{"$nulls":4},"the rhythmic artwork summons an obscure zone of sonic thought, which considers the event according to its power to become.\"--Publisher's description."]
[null,"2.","Record Nr.",null,"UNINA9910796417503321"]
[null,null,"Autore",null,"George Sam, Dr."]
[null,null,"Titolo",null,"Botany, sexuality and women's writing, 1760-1830 : from modest shoot to forward plant / / Sam George"]
[null,null,"Pubbl/distr/stampa",null,"Manchester, UK : , : Manchester University Press, , 2017"]
[{"$nulls":4},"©2007"]
[null,null,"ISBN",null,"1-5261-3017-3"]
[null,null,"Edizione",null,"[Paperback edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 261 pages) : illustrations; digital file(s)"]
[null,null,"Disciplina",null,"809.9355808209033"]
[null,null,"Soggetti",null,"Botanical literature - Authorship - History - 18th century"]
[{"$nulls":4},"Botanical literature - History and criticism"]
[{"$nulls":4},"Plants, Sex in"]
[{"$nulls":4},"Women botanists - History - 18th century"]
[{"$nulls":4},"Botany in literature - History - 18th century"]
[{"$nulls":4},"Literature"]
[{"$nulls":4},"Literary Theory"]
[{"$nulls":4},"LITERARY CRITICISM / European / English, Irish, Scottish, Welsh`"]
[{"$nulls":4},"Ireland"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"List of figures -- Acknowledgements -- Introduction -- 1. 'The Sweet Flowers that Smile in the Walk of Man': floral femininity and female education -- 2. 'Unveiling the mysteries of vegetation': botany and the feminine -- 3. Sex, class and order in Flora's army -- 4. Forward plants and wanton women: botany and sexual anxiety in the late eighteenth century -- 5. 'Botany in an English dress': British flora and the 'fair daughters of Albion' -- Conclusion -- Appendices: Botanical poems by women -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","In this fascinating study, Samantha George explores the cultivation of the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores "]
[{"$nulls":4},"nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science."]