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[null,"1.","Record Nr.",null,"UNISA990000434700203316"]
[null,null,"Autore",null,"BERGAMIN, José"]
[null,null,"Titolo",null,"Al fin y al cabo : (prosas) / José Bergamin"]
[null,null,"Pubbl/distr/stampa",null,"Madrid : Alianza, c.1981"]
[null,null,"ISBN",null,"84-206-3063-2"]
[null,null,"Descrizione fisica",null,"282 p. ; 20 cm"]
[null,null,"Disciplina",null,"864.64"]
[null,null,"Collocazione",null,"VI.5.A. 392(II sp B 4 51)"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910796040803321"]
[null,null,"Autore",null,"Schaal Michèle Anne"]
[null,null,"Titolo",null,"Une troisième vague féministe et littéraire : les femmes de lettres de la nouvelle génération / / par Michèle A. Schaal"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill Rodopi, , 2009"]
[{"$nulls":4},"©2009"]
[null,null,"ISBN",null,"90-04-34207-9"]
[null,null,"Descrizione fisica",null,"1 online resource (344 pages) : illustrations"]
[null,null,"Collana",null,"Faux Titre, , 0167-9392 ; ; Volume 415"]
[null,null,"Disciplina",null,"843/.91099287"]
[null,null,"Soggetti",null,"French fiction - Women authors - History and criticism"]
[{"$nulls":4},"Feminism and literature - France - History - 20th century"]
[{"$nulls":4},"Women and literature - France - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Michèle A. Schaal -- Introduction : Nouvelles écrivaines, nouvelles féministes : mêmes combats (?) / Michèle A. Schaal -- Jusqu’au-boutisme du paradoxe : Truismes de Marie Darrieussecq / Michèle A. Schaal -- S’émanciper du destin genré (?) : Les Jolies choses de Virginie Despentes / Michèle A. Schaal -- Un paradoxe sadien : Viande de Claire Legendre / Michèle A. Schaal -- Comment exprimer une subjectivité multiple ? : Garçon manqué de Nina Bouraoui / Michèle A. Schaal -- Conclusion : Vers une quatrième vague féministe et littéraire ? / Michèle A. Schaal -- Ouvrages cités / Michèle A. Schaal -- Index / Michèle A. Schaal."]
[null,null,null,"Sommario/riassunto","En France, les années 1990 constituent une période charnière pour la littérature et le féminisme. Cette décennie marque l’émergence d’une nouvelle génération d’écrivaines ainsi que d’une nouvelle génération de militant.e.s féministes. Une troisième vague féministe et littéraire de Michèle A. Schaal constitue une approche inédite car elle est la première à établir une connexion entre les deux mouvements. À travers une analyse interdisciplinaire—féministe, culturelle et littéraire—Schaal démontre comment ces deux mouvances ont abordé de manière similaire les questions identitaires et sexuelles qui émergent lors de cette décennie, notamment via l’analyse de quatre romans : Truismes de Marie Darrieussecq (1996), Les Jolies Choses de Virginie Despentes (1998), Viande de Claire Legendre (1999) et Garçon manqué de Nina Bouraoui (2000). In France, the 1990's constituted a crucial era both for "]
[{"$nulls":4},"feminism and literature. This decade witnessed the emergence of a new generation of women writers, as well as of a new generation of feminist activists. Michèle A. Schaal’s Une troisième vague littéraire et féministe is the first study of its kind to establish a connection between both. Through an interdisciplinary approach—feminist, cultural, and literary—Schaal demonstrates how these young feminists and writers approached, in similar manners, the identity and sexuality-related debates that occurred during this decade, namely via an analysis of four novels: Truismes by Marie Darrieussecq (1996), Les Jolies Choses by Virginie Despentes (1998), Viande by Claire Legendre (1999) and Garçon manqué by Nina Bouraoui (2000)."]