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[null,"1.","Record Nr.",null,"UNINA9910795843003321"]
[null,null,"Autore",null,"Fried Michael"]
[null,null,"Titolo",null,"French Suite : A Book of Essays"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Reaktion Books, Limited, , 2022"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"1-78914-605-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (433 pages)"]
[null,null,"Disciplina",null,"759.4"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Title Page -- Copyright -- Contents -- Preface -- Introduction -- 1. Being Seen and Seeing: Thoughts on the Le Nains -- 2. Hubert Robert and the 'Pastoral' Conception of Painting -- 3. The Hand on the Page: Three Works by Théodore Gericault -- 4. Painting Memories: On Baudelaire's Salon of 1846 -- 5. Facingness Meets Mindedness: Manet's Luncheon in the Studio and Balcony -- 6. Degas and Antitheatricality -- 7. Chapter One of L'Education sentimentale as a Work of Writing -- 8. Corot's Figure Paintings and the Apotheosis of Touch -- 9. Unknown Daubigny -- 10. The Moment of Impressionism -- Coda: The House at Rueil -- References -- Acknowledgements -- List of Illustrations -- Index."]
[null,null,null,"Sommario/riassunto","French Suite examines a range of important French painters and two writers, Baudelaire and Flaubert, from the brothers Le Nain in the mid-17th century to Manet, Degas, and the Impressionists in the later 19th century. A principal theme of Michael Frieds essays is a fundamental concern of his throughout his career: the relationship between painting and the beholder. Frieds typically vivid and strongly argued essays offer many new readings and unexpected insights, examining both familiar and lesser-known French artistic and literary works."]