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[null,"1.","Record Nr.",null,"UNINA9910458470803321"]
[null,null,"Autore",null,"Albanese Claudio"]
[null,null,"Titolo",null,"Advanced derivatives pricing and risk management [[electronic resource] ] : theory, tools and hands-on programming application / / Claudio Albanese and Giuseppe Campolieti"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Boston, : Elsevier Academic Press, c2006"]
[null,null,"ISBN",null,"1-281-05315-5"]
[{"$nulls":4},"9786611053154"]
[{"$nulls":4},"0-08-048809-9"]
[null,null,"Descrizione fisica",null,"1 online resource (435 p.)"]
[null,null,"Collana",null,"Academic Press advanced finance series"]
[null,null,"Disciplina",null,"332.64/57"]
[null,null,"Soggetti",null,"Risk management"]
[{"$nulls":4},"Derivative securities - Prices"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 399-405) and index."]
[null,null,"Nota di contenuto",null,"Pricing theory -- Fixed-income instruments -- Advanced topics in pricing theory : exotic options and state-dependent models -- Numerical methods for value-at-risk -- Project : arbitrage theory -- Project : the Black-Scholes (lognormal) model -- Project : quantile-quantile plots -- Project : Monte Carlo pricer -- Project : the binomial lattice model -- Project : the trinomial lattice model -- Project : Crank-Nicolson option pricer -- Project : static hedging of barrier options -- Project : variance swaps -- Project : Monte Carlo value-at-risk for Delta-Gamma portfolios -- Project : covariance estimation and scenario generation in value-at-risk -- Project : interest rate trees : calibration and pricing."]
[null,null,null,"Sommario/riassunto","Written by leading academics and practitioners in the field of financial mathematics, the purpose of this book is to provide a unique combination of some of the most important and relevant theoretical and practical tools from which any advanced undergraduate and graduate student, professional quant and researcher will benefit. This book stands out from all other existing books in quantitative finance from the sheer impressive range of ready-to-use software and accessible theoretical tools that are provided as a complete package. By proceeding from simple to complex, the authors cover core topi"]
[null,"2.","Record Nr.",null,"UNINA9910455641103321"]
[null,null,"Autore",null,"Swift Eugene Anthony"]
[null,null,"Titolo",null,"Popular theater and society in Tsarist Russia [[electronic resource] /] / E. Anthony Swift"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, Calif., : University of California Press, c2002"]
[null,null,"ISBN",null,"1-282-35646-1"]
[{"$nulls":4},"9786612356469"]
[{"$nulls":4},"0-520-92587-4"]
[{"$nulls":4},"1-59734-823-6"]
[null,null,"Descrizione fisica",null,"1 online resource (367 p.)"]
[null,null,"Collana",null,"Studies on the history of society and culture ; ; 44"]
[null,null,"Disciplina",null,"792/.0947"]
[null,null,"Soggetti",null,"Theater - Russia - History"]
[{"$nulls":4},"Popular culture - Russia"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 303-326) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Illustrations -- Acknowledgments -- Note on Transliteration and Dates -- Introduction -- 1. The Urban Theatrical Landscape -- 2. People's Theater and Cultural Politics -- 3. Censorship and Repertoire -- 4. Theater, Temperance, and Popular Culture -- 5. Workers' Theater, Proletarian Culture, and Respectability -- 6. The People at the Theater: Audience Reception -- Conclusion -- Epilogue -- Appendix of Titles -- Notes -- Selected Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","This is the most comprehensive study available of the popular theater that developed during the last decades of tsarist Russia. Swift examines the origins and significance of the new \"people's theaters\" that were created for the lower classes in St. Petersburg and Moscow between 1861 and 1917. His extensively researched study, full of anecdotes from the theater world of the day, shows how these people's theaters became a major arena in which the cultural contests of late imperial Russia were played out and how they contributed to the emergence of an urban consumer culture during this period of rapid social and political change. Swift illuminates many aspects of the story of these popular theaters-the cultural politics and aesthetic ambitions of theater directors and actors, state censorship politics and their role in shaping the theatrical repertoire, and the theater as a vehicle for social and political reform. He looks at roots of the theaters, discusses specific "]
[{"$nulls":4},"theaters and performances, and explores in particular how popular audiences responded to the plays."]
[null,"3.","Record Nr.",null,"UNINA9910795294603321"]
[null,null,"Autore",null,"Suthor Nicola"]
[null,null,"Titolo",null,"Rembrandts Rauheit : Eine Phänomenologische Untersuchung / / Nicola Suthor"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn : , : Brill, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"3-8467-5739-X"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"751.45"]
[null,null,"Soggetti",null,"Painting - Technique"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 193-200)."]
[null,null,"Nota di contenuto",null,"Einleitung -- Die Intention des Malers -- Griffige Rauheit -- Textur-Lektüre -- \"Bildobjekt\" : Spielraum der Imagination -- Schmiererei : vollendet unvollendet? -- Die Intention des Malers -- Ausdruckssprache -- Klar-Obskur I : Schattenspiele -- Geklärte Verhältnisse in die Kompagnie von Frans Banning Cocq -- Stumme Stimme : das posthume Porträt Jan Cornelisz : Sylvius -- Handreichung : das Hundertguldenblatt -- Der Schatten der Macht : der Triumph des Mardochai -- Vertiefte Einblicke : zur Sichtbarkeit des Malgrundes -- Farbe als \"drek Gerard de Lairesses stinkende Metapher -- \"Als wenn Feuer darin wäre\" : Jeremia trauert über die Zerstörung Jerusalems -- Die Öffnung des Körpers in die Anatomie des Dr. Deyman -- Gespannte Textur : die Badende im Fluss -- Exkurs Aufglühenden Kohlen : Caesar van Everdingens Frau Winter -- Klar-Obskur Ii : Licht-Gestalt als Wort-Gewalt -- Lichtdurchlässigkeit und Lichtreflexe : Moses mit den Gesetzestafeln -- Erschütterung in Aristoteles mit der Büste des Homer -- Schrift und Stimme in der Evangelist Matthäus -- Der Widerschein des Lichts in die Opferung Abrahams -- Paarbildung : Jakob ringt mit dem Engel -- Exkurs Psychologisierung : Luca Giordanos Jakob ringt mit dem Engel im Vergleich -- Die Farbe Rot : flächendeckend -- Rötungen : Rebekka und Isaak -- Erwärmung : die Rückkehr des verlorenen Sohnes -- Epilog -- Sein lassen : Rembrandts Selbstbildnisse und die Vorwegnahme des Endes -- ; Dank -- ; Literaturverzeichnis -- ; Abbildungsverzeichnis -- ; Tafelteil."]
[null,null,null,"Sommario/riassunto","Die Rembrandt kennzeichnende Materialität des Farbauftrags wird in der Ausdeutung des Bildsujets gern übersehen bzw. als Indiz von "]
[{"$nulls":4},"Unvollendetheit gewertet. Die visuelle Kraft seiner rauen Malerei ist jedoch, wie Nicola Suthor im Einzelnen zeigt, äußerst subtil und kreiert eine vielschichtige, sinnbildende Textur, die einen Subtext eröffnet und Ausdruckstiefe herstellt. Die stets gelobte Beseeltheit des Dargestellten ist von der Rauheit der Darstellung nicht zu trennen. Edmund Husserls Differenzierung des Bildes in drei Aspekte und Maurice Merleau-Pontys Begriffe des indirekten Sprechens und des Fleischs dienen als Instrumentarium, die Wirkungsweisen insbesondere »verschmierter« Passagen präziser zu analysieren. Auch Rembrandts Helldunkel, die Sichtbarkeit des Malgrunds und die Setzung der Farbe Rot als Farbblock weisen intentionale Strukturen auf, die an der phänomenalen Wucht des jeweiligen Bilds entscheidend mitwirken."]