{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":16,"n_cols":5,"rows_kept":16,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910795132103321"]
[null,null,"Titolo",null,"Staged experiences / / edited by Arthur Maria Stein, Ana Penjak, and Celia Morgan"]
[null,null,"Pubbl/distr/stampa",null,"Oxford, United Kingdom : , : Inter-Disciplinary Press, , [2014]"]
[{"$nulls":4},"Â©2014"]
[null,null,"ISBN",null,"1-84888-328-5"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Critical issues"]
[null,null,"Disciplina",null,"786"]
[null,null,"Soggetti",null,"Music - Performance - History"]
[{"$nulls":4},"Performance practice (Music)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Arthur Maria Steijn , Ana Penjak and Celia Morgan -- Hypnagogia and Imagination: Scenographic Constructions of Venice / Lilja Blumenfeld -- Language in Performance / Sadia Zoubir-Shaw -- Scenography as a Means for Youth Education and Creative Interaction in the ‘Interactive Opera in Primary Schools’ Research Project / Sofia Pantouvaki -- Life and Liveness: Using Film in the Theatre / Bilha Blum -- Imagined Spaces: Motion Graphics in Spatial Experience Design / Arthur Maria Steijn -- Costume Narrative: Recognition and Comprehension / Hilary Baxter -- From Lucile’s Showroom to Ziegfeld’s Stage: Fashion, Celebrity Culture and Theatrical Spectacle / Anne K. Reilly -- Brazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens / Fausto Viana -- Costume Identity in the Globalised World / Rosane Muniz -- From Butoh to Butohs: Produits d’Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice / Catherine Girardin -- Hotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space / Maria Carneiro -- Drawing the Scene / Filipa Malva -- De-Signing for a Dancer/Choreographer’s Visual Literacy / Helene Gee Markstein -- From Scenography to Narrative Environments / Ekavi-Louise Whitlock-Blundell -- Situated Vagrancy / Benedict Anderson -- From Abstraction to Performance: Three Moves through the Visual Traces / Adele Anderson -- Experience and Perception of the Audience: Momentums of Intimacy within Performance / Haya Cohen -- Imagining Absence: Performance in the Text / Ulla Kallenbach -- Hamlet Domesticus: Three Directors’ Productions of Hamlet on the Modern Croatian Stage / Ana "]
[{"$nulls":4},"Penjak."]