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[null,"1.","Record Nr.",null,"UNINA9910522581603321"]
[null,null,"Autore",null,"Cazet Safia"]
[null,null,"Titolo",null,"Quel droit pour l’adaptation des territoires aux changements climatiques ? : L’expérience de l’île de La Réunion / / Anne-Sophie Tabau"]
[null,null,"Pubbl/distr/stampa",null,"Aix-en-Provence, : DICE Éditions, 2021"]
[null,null,"ISBN",null,"979-1-0975-7803-9"]
[null,null,"Descrizione fisica",null,"1 online resource (268 p.)"]
[null,null,"Collana",null,"Confluence des droits"]
[null,null,"Soggetti",null,"Law"]
[{"$nulls":4},"changements climatiques"]
[{"$nulls":4},"accord de Paris"]
[{"$nulls":4},"adaptation"]
[{"$nulls":4},"territoires"]
[{"$nulls":4},"La Réunion"]
[{"$nulls":4},"droit global"]
[{"$nulls":4},"gouvernance"]
[{"$nulls":4},"effectivité"]
[{"$nulls":4},"cohérence"]
[{"$nulls":4},"articulation"]
[{"$nulls":4},"outre-mer"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La recherche collective dont cet ouvrage est le fruit s’est donné pour ambition de cerner les implications juridiques de l’adaptation des territoires aux changements climatiques. L’équipe s’est appuyée sur l’exemple de l’île de La Réunion pour s’interroger sur les traductions juridiques du discours politique résultant de la COP 21 qui consistait, tout à la fois, à mettre l’accent sur l’adaptation aux effets des changements climatiques et non plus seulement sur l’atténuation des émissions de gaz à effet de serre, à décentraliser les politiques climatiques de manière à les faire correspondre aux spécificités locales, à adopter une approche transversale de la vulnérabilité des territoires et des populations, et à favoriser les échanges de bonnes pratiques au titre d’une coopération globale. Dans ce contexte, les travaux conduits "]
[{"$nulls":4},"identifient, dans différentes branches du droit, les expressions de l’adaptation, et déterminent si le droit applicable à La Réunion est adapté à l’enjeu climatique. L’accent est mis sur les processus d’agencement des éléments hétérogènes identifiés comme autant de composantes de l’adaptation à La Réunion, afin de révéler et d’évaluer les mécanismes juridiques qui permettent de faire naître et de stabiliser les attentes normatives des parties prenantes de l’adaptation des territoires aux changements climatiques. Cette recherche a été financée par le ministère de la Transition écologique et solidaire, dans le cadre du programme OMERAD (15-MCGOT-GICC-2-CVS-009)."]
[null,"2.","Record Nr.",null,"UNINA9910795064203321"]
[null,null,"Autore",null,"Dixon Wheeler W. <1950->"]
[null,null,"Titolo",null,"A Short History of Film / / Wheeler Winston Dixon, Gwendolyn Audrey Foster"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, NJ : , : Rutgers University Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"0-8135-9514-2"]
[{"$nulls":4},"1-78684-766-3"]
[{"$nulls":4},"0-8135-9516-9"]
[null,null,"Edizione",null,"[Third edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (449 pages)"]
[null,null,"Disciplina",null,"791.4309"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[{"$nulls":4},"Motion picture industry - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Timeline -- One. The Invention Of The Movies -- Two. The Birth Of An American Industry -- Three. World Cinema: The Silent Era -- Four. The Hollywood Studio System In The 1930S And 1940S -- Five. International Cinema Through World War II -- Six. Postwar Challenges To The Movies -- Seven. World Cinema In The 1950S -- Eight. The 1960S Explosion -- Nine. World Cinema 1970 To The Present -- Ten. The New Hollywood -- Glossary Of Film Terms -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","With more than 250 images, new information on international cinema-especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers-an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century."]