{"text_format":"5","workbook":"xls","n_sheets":1,"sheets":["report2"],"props":{"last_modified_by":"sharecat"},"not_rendered":{"external_links":1,"defined_names":1},"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":17,"n_cols":5,"rows_kept":17,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910794831103321"]
[null,null,"Autore",null,"Kozloff Sarah"]
[null,null,"Titolo",null,"The best years of our lives / / Sarah Kozloff"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Palgrave Macmillan on behalf of British Film Institute, , 2011"]
[null,null,"ISBN",null,"1-83871-342-5"]
[{"$nulls":4},"1-84457-566-7"]
[null,null,"Descrizione fisica",null,"1 online resource (112 pages) : illustrations, photographs"]
[null,null,"Collana",null,"BFI film classics"]
[null,null,"Classificazione",null,"PER004000PER004030ART057000"]
[null,null,"Disciplina",null,"791.43/72"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[{"$nulls":3},"Livello bibliografico","Monografia"]
[{"$nulls":3},"Note generali","Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily."]
[{"$nulls":3},"Nota di bibliografia","Includes bibliographical references (pages 109-110)."]
[null,null,"Nota di contenuto",null,"Introduction -- Historical Context -- Production History -- Reception -- Aesthetics -- Best Years' Thematic Connotations -- Afterword."]
[{"$nulls":3},"Sommario/riassunto","\"Due to its popularity and the controversy it engendered, The Best Years of Our Lives stands as one of the most important cultural documents of the post-WWII era. Moreover, with its emphasis on soldiers returning from war with post-traumatic stress syndrome, facing an uncertain economic climate, and strained domestic lives, the film speaks with emotional power directly to contemporary issues, including the devastating injuries and insecurites faced by soldiers returning home from combat in Afghanistan and Iraq today. Among the topics discussed are American neorealism, aesthetics, war and homecoming, and more.\"--Provided by publisher."]