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[null,"1.","Record Nr.",null,"UNISA990003086520203316"]
[null,null,"Autore",null,"WEBSTER, Daniel"]
[null,null,"Titolo",null,"Daniel Webster reader / selected and edited by Bertha M. Rothe"]
[null,null,"Pubbl/distr/stampa",null,"New York : Oceana, copyr. 1956"]
[null,null,"Descrizione fisica",null,"255 p. ; 18 cm"]
[null,null,"Collana",null,"Docket series ; 5"]
[null,null,"Soggetti",null,"Webster, Daniel"]
[null,null,"Collocazione",null,"II.8.B.65"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA990005584290203316"]
[null,null,"Autore",null,"PELEGRIN, Benito"]
[null,null,"Titolo",null,"Le  fil perdu du \"Criticon\" de Baltasar Gracian : objective Port-Royal : allégorie et composition \"conceptiste\" / Benito Pelegrin"]
[null,null,"Pubbl/distr/stampa",null,"Aix-en-Provence : Université de Provence, 1984"]
[null,null,"Descrizione fisica",null,"305 p. ; 21 cm."]
[null,null,"Collana",null,"Etudes hispaniques ; 8"]
[null,null,"Disciplina",null,"860.3"]
[null,null,"Soggetti",null,"Gracian, Baltasar. Criticon"]
[null,null,"Collocazione",null,"CC 860.3 PEL"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910794732103321"]
[null,null,"Autore",null,"Broughton Lee <1966->"]
[null,null,"Titolo",null,"The Euro-Western : reframing gender, race and the 'other' in film / / Lee Broughton"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : I.B. Tauris & Co. Ltd, , 2016"]
[{"$nulls":4},"London, England : , : Bloomsbury Publishing, , 2019"]
[null,null,"ISBN",null,"1-350-98862-6"]
[{"$nulls":4},"0-85772-738-9"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (274 pages)"]
[null,null,"Collana",null,"Cinema and Society"]
[null,null,"Disciplina",null,"791.43/6278"]
[null,null,"Soggetti",null,"Black people in motion pictures"]
[{"$nulls":4},"Gender identity in motion pictures"]
[{"$nulls":4},"Race in motion pictures"]
[{"$nulls":4},"Western films - Europe"]
[{"$nulls":4},"Women in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Focuses on previously unstudied Italian, German and British films."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 240-251), filmography (page 239) and index."]
[null,null,"Nota di contenuto",null,"Part 1. Indians in Europe : Indianthusiasm and the Representation of American Indians in West German Westerns. Chapter 1. West German Westerns: International Reception and Local Influences ; Chapter 2. The Representation of Indians in American Westerns ; Chapter 3. The Representation of Indians in West German Westerns -- Part 2. Emancipation all'Italiana : The Representation of African Americans in Italian Westerns. Chapter 4. Italian Westerns: International Reception and Local Influences ; Chapter 5. The Representation of Blacks in American Westerns ; Chapter 6. The Representation of Blacks in Italian Westerns -- Part 3. Funny Men and Strong Women : The Representation of Frontier Femmes in British Westerns. Chapter 7. British Westerns: International Reception and Local Influences ; Chapter 8. The Representation of Women in American Westerns ;  Chapter 9. The Representation of Women in the British Western Parodies Produced Between 1939 and 1966 ; Chapter 10. The Representation of Women in British Westerns Produced During the Early 1970s -- Final Thoughts."]
[null,null,null,"Sommario/riassunto","\"The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new "]
[{"$nulls":4},"critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre.\"--Publisher's website."]