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[null,"1.","Record Nr.",null,"UNINA9910794580803321"]
[null,null,"Autore",null,"López Calderón Carme"]
[null,null,"Titolo",null,"Applied emblems in the Cathedral of Lugo : European sources for a Spanish cycle addressed to the Virgin Mary / / by Carme López Calderón"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, The Netherlands ; ; Boston : , : Brill, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"90-04-44768-7"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Brill's Studies on Art, Art History, and Intellectual History ; ; 51"]
[null,null,"Disciplina",null,"704.94855"]
[null,null,"Soggetti",null,"Emblems in art"]
[{"$nulls":4},"Emblems - Europe - History"]
[{"$nulls":4},"Chapels - Decoration - Spain - Lugo"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","In Applied Emblems in the Cathedral of Lugo , Carme López Calderón deals with the emblematic programme found in the Chapel of Nuestra Señora de los Ojos Grandes (Galicia, Spain), consisting of 58 emblems painted c.1735. Making use of a wide range of printed sources, Carme López Calderón delves into the meaning of each emblem and provides a convincing and compelling all-encompassing interpretation of this cycle, which can rightly be described as the richest and most complete programme of Marian applied emblematics in the Iberian Peninsula."]
[null,"2.","Record Nr.",null,"UNISA996571862603316"]
[null,null,"Autore",null,"Pastore Rosina"]
[null,null,"Titolo",null,"Vedānta, Bhakti, and Their Early Modern Sources : Philosophical and Religious Dimensions of Brajvāsīdās's Prabodhacandrodaya Nāṭaka"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston : , : Walter de Gruyter GmbH, , 2023"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"3-11-106383-6"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (374 pages)"]
[null,null,"Collana",null,"Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie Centrale Series ; ; v.14"]
[null,null,"Soggetti",null,"SOCIAL SCIENCE / Regional Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","This volume considers the Prabodhacandrodaya Nāṭaka (c. 1760 CE), an allegorical drama composed by Brajvāsīdās in Brajbhāṣā. It contributes to the study of vernacular nāṭakas with its first complete English translation. Moreover, the critical analysis shows that the foundational Sanskrit texts for Vedānta and those for Bhakti play a part in the Prabodhacandrodaya Nāṭaka's philosophical and religious edifice. At the same time, the investigation demonstrates that Brajvāsīdās expresses several philosophical ideas by adaptively reusing the Rāmcaritmānas by Tulsīdās (c. 1574 CE). Brajvāsīdās composes a dohā by combining one line of his invention with a line from the Mānas. This method is employed throughout all the personified metaphysical concepts. That Brajvāsī not only read Bhakti but also Vedānta through the Rāmcaritmānas highlights the philosophical and literary creativity in 18th c. North India. It points to the necessity to rethink the sources of Vedānta philosophies, by including works non-conventional for language and genre, because not in Sanskrit and not śāstras. Such sources may not be original in their contribution per se but are essential to understand how early modern philosophy was done, conceived and transmitted."]