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[null,"1.","Record Nr.",null,"UNINA9910778165903321"]
[null,null,"Autore",null,"Muir Edward <1946->"]
[null,null,"Titolo",null,"The culture wars of the late Renaissance : skeptics, libertines, and opera / / Edward Muir"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Mass. : , : Harvard University Press, , 2007"]
[null,null,"ISBN",null,"0-674-04126-7"]
[null,null,"Descrizione fisica",null,"1 online resource (xiii, 175 pages) : illustrations"]
[null,null,"Collana",null,"The Bernard Berenson lectures on the Italian Renaissance"]
[null,null,"Classificazione",null,"NN 1595"]
[null,null,"Disciplina",null,"945/.3107"]
[null,null,"Soggetti",null,"Renaissance - Italy - Venice"]
[{"$nulls":4},"Renaissance - Italy - Padua"]
[{"$nulls":4},"Venice (Italy) History 1508-1797"]
[{"$nulls":4},"Venice (Italy) Intellectual life 16th century"]
[{"$nulls":4},"Padua (Italy) History 16th century"]
[{"$nulls":4},"Padua (Italy) Intellectual life 16th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 151-167) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Preface -- Introduction -- ONE. The Skeptics -- TWO. The Libertines -- THREE. The Librettists -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","In this book, Muir explores an era of cultural innovation that promoted free inquiry in the face of philosophical and theological orthodoxy, advocated libertine morals, critiqued the tyranny of aristocratic fathers over their daughters, and expanded the theatrical potential of grand opera. In so doing, he reveals the distinguished past of today's culture wars, including debates about the place of women in society, the clash between science and faith, and the power of the arts to stir emotions."]
[null,"2.","Record Nr.",null,"UNINA9910794014003321"]
[null,null,"Titolo",null,"Offene Ordnungen : Zur Aktualität Wolfgang Hildesheimers / / Stephan Braese (Hg.)"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : Aisthesis Verlag, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"3-8498-1347-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (254 pages)"]
[null,null,"Disciplina",null,"838.91409"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"Biografie"]
[{"$nulls":4},"Horst Janssen"]
[{"$nulls":4},"Tynset"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","PublicationDate: 20181005"]
[null,null,"Nota di contenuto",null,"Frontcover -- Titel -- Impressum -- Inhaltsverzeichnis -- Stephan Braese: Einführung -- Ulrike Vedder: Zeitszenen, Sterbeszenen -- Karlheinz Braun: Wolfgang Hildesheimer und das Theater mit dem Absurden -- Christoph Pflaumbaum: \"Unheimlich stechende Blicke\" -- Arnulf Knafl: Rettung im Erzählen -- Doerte Bischoff: Die entsetzliche Freiheit -- Stephan Braese: \"Engagement muß sein.\" -- Hanjo Kesting: Der Mensch hat die Erde verlassen -- Erik Porath: Gegenständlichkeit, Tod und Nachleben -- Thomas Wild: But the passage of years is cruel -- Olga Blank: Hildesheimer als Briefautor -- Über die Autorinnen und Autoren -- Backcover."]
[null,null,null,"Sommario/riassunto","Long description: Wolfgang Hildesheimer war einer der bedeutendsten deutschsprachigen Autoren nach 1945. Als Jude, der die Jahre der nationalsozialistischen Herrschaft in Palästina und London verbrachte, als Simultandolmetscher bei den Nürnberger Prozessen, schließlich auch als genauer Beobachter der ökologischen Krisensachverhalte registrierte er mit großer Unbestechlichkeit den Zerfall einst zuverlässig scheinender Ordnungen im sozialen und kulturellen Gefüge Europas. Sowohl mit seinen literarischen Werken als auch mit seinen diskursiven Wortmeldungen stellte er sich nicht nur gegen die Wiederaufbau-Emphase der 50er, sondern auch gegen den Geschichtsoptimismus der 60er und 70er Jahre. Der vorliegende Band zeigt im Blick auf prominente und weniger bekannte Texte Hildesheimers, auf welche "]
[{"$nulls":4},"Weise diese Erfahrung seine literarische Arbeit geprägt hat und welche Aktualität ihr in der Begegnung mit einer nachgeborenen Lesergeneration zuwächst, die ihrerseits mit einer neuen Dimension von Ordnungsverlusten konfrontiert zu sein scheint."]