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[null,"1.","Record Nr.",null,"UNINA9910793935003321"]
[null,null,"Autore",null,"Smith Philip <1983->"]
[null,null,"Titolo",null,"Shakespeare in Singapore : performance, education, and culture / / Philip Smith"]
[null,null,"Pubbl/distr/stampa",null,"Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2020"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-429-77211-4"]
[{"$nulls":4},"0-429-43015-9"]
[{"$nulls":4},"0-429-77212-2"]
[null,null,"Descrizione fisica",null,"1 online resource (217 pages)"]
[null,null,"Collana",null,"Routledge advances in theatre and performance studies"]
[null,null,"Disciplina",null,"822.33"]
[null,null,"Soggetti",null,"Theater - Singapore - History"]
[{"$nulls":4},"Arts - Singapore - History"]
[{"$nulls":4},"DRAMA / Asian"]
[{"$nulls":4},"DRAMA / Shakespeare"]
[{"$nulls":4},"Singapore Civilization English influences"]
[{"$nulls":4},"Singapore Intellectual life"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"List of Illustrations Acknowledgments  Introduction  Part 1: A Taste of Home -- 1819 to 1900  Part 2: 'A great and perceptive love' -- 1900 to 1942  Part 3: Shakespeare in the Final Days of British Rule -- 1942 to 1963  Part 4: Playing Balthazar -- 1963 to 1980  Part 5: 'Not pukka' -- 1980 to 1990  Part 6: 'If I profane with my unworthiest hand' -- 1990 to 2000  Part 7: 'To shake the head, relent, and sigh' -- 2001 to 2019  ...and exits  Bibliography  Index."]
[null,null,null,"Sommario/riassunto","Shakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture. This book tracks the role and development of Shakespeare in education from the founding of modern Singapore to the present day, drawing on sources such as government and school records, the entire span of Singapore's newspaper archives, playbills, interviews with educators and theatre professionals, and existing academic sources. By uniting the critical interest in Singaporean theatre with the substantial body of scholarship that concerns global Shakespeare, the author overs a broad, yet in-depth, exploration of the ways in which Singaporean "]
[{"$nulls":4},"approaches to Shakespeare have been shaped by, and respond to, cultural work going on elsewhere in Asia. A vital read for all students and scholars of Shakespeare, Shakespeare in Singapore offers a unique examination of the cultural impact of Shakespeare, beyond its usual footing in the Western world."]