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[null,"1.","Record Nr.",null,"UNINA9910777687403321"]
[null,null,"Autore",null,"Rheda Regina <1957->"]
[null,null,"Titolo",null,"First world third class and other tales of the global mix [[electronic resource] /] / Regina Rheda ; Charles A. Perrone, volume editor ; translated from the Portuguese by Adria Frizzi ... [et al.] ; with an introduction by Christopher Dunn"]
[null,null,"Pubbl/distr/stampa",null,"Austin, : University of Texas Press, 2005"]
[null,null,"ISBN",null,"0-292-79711-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (276 p.)"]
[null,null,"Collana",null,"Texas Pan American literature in translation series"]
[null,null,"Disciplina",null,"869.3/42"]
[null,null,"Soggetti",null,"LITERARY CRITICISM / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Frontmatter -- CONTENTS -- Preface: A Regina Rheda Reader—Titles, Subtitles, Versions, Reversions -- Acknowledgments -- Introduction -- PART 1 Stories from the Copan Building (1994) -- PART 2 First World Third Class (1996) -- PART 3 A Trio of Tales"]
[null,null,null,"Sommario/riassunto","Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable. Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil diminished, opted to leave their country, even if it meant taking menial jobs abroad. At the center of the narrative is Rita, a thirty-year-old aspiring filmmaker who migrates to England, and then Italy. She looks for work and love in all the wrong places, moving from city to city and from bed to bed. The last three stories in this collection also happen to be among the author's most recent. \"The Enchanted Princess\" is an ironic title for a postfeminist tale of a South American woman being wooed to marry an old-world gentleman who promises to take care of her every need. \"The Sanctuary\" concerns the living conditions of immigrant workers and farm animals. Equally piquant in nature, \"The Front\" deals with ecology, labor environments, and gender "]
[{"$nulls":4},"politics."]
[null,"2.","Record Nr.",null,"UNINA9910793255203321"]
[null,null,"Autore",null,"Kriesel James C."]
[null,null,"Titolo",null,"Boccaccio's corpus : allegory, ethics, and vernacularity / / James C. Kriesel"]
[null,null,"Pubbl/distr/stampa",null,"Notre Dame, Indiana : , : University of Notre Dame Press, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"0-268-10451-4"]
[null,null,"Descrizione fisica",null,"1 online resource (401 pages)"]
[null,null,"Collana",null,"The William and Katherine Devers series in Dante and medieval Italian literature ; ; volume 15"]
[null,null,"Disciplina",null,"858.109"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Boccaccio's corpus: text and body -- The allegory of the corpus: Genealogie deorum gentilium and scholarly works -- The poetics of the corpus: Comedia delle ninfe fiorentine (Ameto) -- The ethics of the corpus: Amorosa visione -- The love of the corpus: Decameron -- The hatred of the corpus: Corbaccio."]
[null,null,null,"Sommario/riassunto","In Boccaccio's Corpus, James C. Kriesel explores how medieval ideas about the body and gender inspired Boccaccio's vernacular and Latin writings. Scholars have observed that Boccaccio distinguished himself from Dante and Petrarch by writing about women, erotic acts, and the sexualized body. On account of these facets of his texts, Boccaccio has often been heralded as a protorealist author who invented new literatures by eschewing medieval modes of writing. This study revises modern scholarship by showing that Boccaccio's texts were informed by contemporary ideas about allegory, gender, and theology. Kriesel proposes that Boccaccio wrote about women to engage with debates concerning the dignity of what was coded as female in the Middle Ages. This encompassed varieties of mundane experiences, somatic spiritual expressions, and vernacular texts. Boccaccio championed the feminine to counter the diverse writers who thought that men, ascetic experiences, and Latin works had more dignity than women and female cultures. Emboldened by literary and religious ideas about the body, Boccaccio asserted that his “feminine” texts could signify as efficaciously as Dante's Divine Comedy and Petrarch's classicizing writings. Indeed, he claimed that they could even be more effective in moving an audience because of their affective nature— namely, their "]
[{"$nulls":4},"capacity to attract, entertain, and stimulate readers. Kriesel argues that Boccaccio drew on medieval traditions to highlight the symbolic utility of erotic literatures and to promote cultures associated with women."]