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[null,"1.","Record Nr.",null,"UNISA996384818003316"]
[null,null,"Autore",null,"Hartlib Samuel -1662"]
[null,null,"Titolo",null,"Clavis apocalyptica, or, The revelation revealed [[electronic resource] ] : in which the great mysteries in the Revelation of St. John and the prophet Daniel are opened : it beeing made apparent that the prophetical numbers com to an end with the year of our Lord 1655 / / written by a Germane D.D. and for the rareness of the subject and benefit of the English nation, translated out of High Dutch"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by W. D. for Tho. Matthewes ..., 1651"]
[null,null,"Edizione",null,"[The second edition, much enlarged and many things explained for the capacitie of the weaker sort.]"]
[null,null,"Descrizione fisica",null,"[6], 79, [3], 159, [2] p"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Based on the Clavis apocalyptica of Joseph Mead - pref."]
[{"$nulls":4},"Epistle dedicatory addressed \"To the Right Honourable Oliver St.-John, Lord Chief Justice of the Court of Common-Pleas.\""]
[{"$nulls":4},"\"In two treatises: 1. Shewing what in these our times hath been fulfilled. 2. At this present is effectually brought to pass. 3. And henceforth is to bee expected in the years neer at hand.\""]
[{"$nulls":4},"Includes: \"An epistolical discours, from Mr. John Durie to Mr. Sam. Hartlib, concerning this exposition of the Revelation by waie of preface whereunto\", \"Clavis apocalyptica, or, the revelation of St. John revealed ...\" with special t.p., \"A list of the things which are shortly to come to pass, collected out of the XI and XVI chapters of the Revelation.\""]
[{"$nulls":4},"Pages 2-7 of text repeated."]
[{"$nulls":4},"Wing number C4608 at reel position 887:3 cancelled in Wing (2nd ed.)."]
[{"$nulls":4},"Reproduction of originals in the Harvard University Library and the University of Illinois (Urbana-Champaign Campus). Library."]
[null,null,null,"Sommario/riassunto","eebo-0216"]
[null,"2.","Record Nr.",null,"UNINA9910793058803321"]
[null,null,"Autore",null,"Eagle Jonna"]
[null,null,"Titolo",null,"Imperial Affects : Sensational Melodrama and the Attractions of American Cinema / / Jonna Eagle"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, NJ : , : Rutgers University Press, , [2017]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"0-8135-8304-7"]
[{"$nulls":4},"0-8135-8305-5"]
[null,null,"Descrizione fisica",null,"1 online resource (276 pages) : illustrations"]
[null,null,"Collana",null,"War Culture"]
[null,null,"Disciplina",null,"791.436582"]
[null,null,"Soggetti",null,"Action and adventure films - United States - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Introduction. Making Sense: Th e Moral and Aff ective Appeals of Melodrama -- 1. A Rough Ride: Cinema, War, and the Strenuous Life -- 2. Manifest Destiny in Action: Sensational Melodrama and the Advent of the Western -- 3. Western Weepies: The Power of Pathos in the Cold War Western -- 4. The Subject of Imperiled Privilege: Victimization and Violence in Late-Century Action Cinema -- Epilogue. To Be Real: Virtual Violence in the Twenty-First Century -- Acknowledgments -- Notes -- Selected Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Imperial Affects is the first sustained account of American action-based cinema as melodrama. From the earliest war films through the Hollywood Western and the late-century action cinema, imperialist violence and mobility have been produced as sites of both visceral pleasure and moral virtue. Suffering and omnipotence operate as twinned affects in this context, inviting identification with an American national subject constituted as both victimized and invincible-a powerful and persistent conjunction traced here across a century of cinema."]