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[null,"1.","Record Nr.",null,"UNISALENTO991002058869707536"]
[null,null,"Autore",null,"Marani, Alma Novella"]
[null,null,"Titolo",null,"El ideario mazziniano en el Rio de la Plata / Alma Novella Marani"]
[null,null,"Pubbl/distr/stampa",null,"La Plata : Universidad nacional de La Plata, Facultad de humanidades y ciencias de la educacion, 1985"]
[null,null,"Descrizione fisica",null,"105 p. ; 24 cm"]
[null,null,"Collana",null,"Centro de estudios italianos"]
[null,null,"Disciplina",null,"945.0809"]
[null,null,"Soggetti",null,"Mazzini, Giuseppe - Fortuna - Argentina"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910793023503321"]
[null,null,"Autore",null,"Tawil Ezra"]
[null,null,"Titolo",null,"Literature, American Style : The Originality of Imitation in the Early Republic / / Ezra Tawil"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia : , : University of Pennsylvania Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"0-8122-9529-3"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (268 pages)"]
[null,null,"Disciplina",null,"810.935873"]
[null,null,"Soggetti",null,"National characteristics, American, in literature"]
[{"$nulls":4},"Nationalism and literature - United States"]
[{"$nulls":4},"American literature - 1783-1850 - History and criticism"]
[{"$nulls":4},"English language - United States - Style"]
[{"$nulls":4},"English language - United States - Orthography and spelling - History - 18th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- CONTENTS -- Introduction. Style and the Cisatlantic -- Chapter 1. To Form a More Perfect Language: Noah Webster's American-Style English -- Chapter 2. Transatlantic Correspondences: Crèvecoeur and the Incorrect Style -- Chapter 3. \"New Forms of Sublimity\": Charles Brockden Brown and the Irregular Style -- Chapter 4. \"Homespun Habits\": Seduction, Sentiment, and the Artless Style -- Coda. Stock and Soil -- Notes -- Index -- Acknowledgments"]
[null,null,null,"Sommario/riassunto","Between 1780 and 1800, authors of imaginative literature in the new United States wanted to assert that their works, which bore obvious connections to anglophone literature on the far side of the Atlantic, nevertheless constituted a properly \"American\" tradition. No one had yet figured out, however, what it would mean to write like an American, what literature with an American origin would look like, nor what literary characteristics the elusive quality of Americanness could generate. Literature, American Style returns to this historical moment-decades before the romantic nationalism of Cooper, the transcendentalism of Emerson and Thoreau, or the iconoclastic poetics of Whitman-when a fantasy about the unique characteristics of U.S. literature first took shape, and when that notion was linked to literary style.While late eighteenth-century U.S. literature advertised itself as "]
[{"$nulls":4},"the cultural manifestation of a radically innovative nation, Ezra Tawil argues, it was not primarily marked by invention or disruption. In fact, its authors self-consciously imitated European literary traditions while adapting them to a new cultural environment. These writers gravitated to the realm of style, then, because it provided a way of sidestepping the uncomfortable reality of cultural indebtedness; it was their use of style that provided a way of departing from European literary precedents. Tawil analyzes Noah Webster's plan to reform the American tongue; J. Hector St. John de Crèvecoeur's fashioning of an extravagantly naïve American style from well-worn topoi; Charles Brockden Brown's adaptations of the British gothic; and the marriage of seduction plots to American \"plain style\" in works such as Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette. Each of these works claims to embody something \"American\" in style yet, according to Tawil, remains legible only in the context of stylistic, generic, and conceptual forms that animated English cultural life through the century."]
[null,"3.","Record Nr.",null,"UNINA9910373943803321"]
[null,null,"Autore",null,"Martin Tenley"]
[null,null,"Titolo",null,"Transnational Flamenco : Exchange and the Individual in British and Spanish Flamenco Culture / / by Tenley Martin"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030371999"]
[{"$nulls":4},"3030371999"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XIV, 296 p. 20 illus., 19 illus. in color.)"]
[null,null,"Collana",null,"Leisure Studies in a Global Era, , 2946-3181"]
[null,null,"Disciplina",null,"305.821"]
[{"$nulls":4},"793.31941"]
[null,null,"Soggetti",null,"Sports - Sociological aspects"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Dance"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Sport Sociology"]
[{"$nulls":4},"Sociology of Culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. An Overview of Flamenco and Globalisation -- 3. Sevilla: Local Scenes and Ex-Pat Communities -- 4. Madrid: The Consummate Professional Scene -- 5. Flamenca Britannica: One Foot in Andalucía -- 6. Connected by the Compás: An Analysis of Cultural Transmission between Spain and the UK."]
[null,null,null,"Sommario/riassunto","This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as 'cosmopolitan human hubs', builds on Kiwan and Meinhof's 'hubs' theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex,represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, "]
[{"$nulls":4},"sociology and anthropology. ."]