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[null,"1.","Record Nr.",null,"UNINA9910792593803321"]
[null,null,"Autore",null,"Chiasson Dan"]
[null,null,"Titolo",null,"One kind of everything [[electronic resource] ] : poem and person in contemporary America / / Dan Chiasson"]
[null,null,"Pubbl/distr/stampa",null,"Chicago, : University of Chicago Press, 2007"]
[null,null,"ISBN",null,"1-282-58466-9"]
[{"$nulls":4},"9786612584664"]
[{"$nulls":4},"0-226-10384-6"]
[null,null,"Descrizione fisica",null,"1 online resource (205 p.)"]
[null,null,"Disciplina",null,"811/.509353"]
[null,null,"Soggetti",null,"American poetry - 20th century - History and criticism"]
[{"$nulls":4},"Autobiography in literature"]
[{"$nulls":4},"Self in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [180]-182) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction: \"One Kind of Everything\" -- Reading Objects: Robert Lowell -- Elizabeth Bishop on Autobiographical Grounds -- Reading Frank Bidart Pragmatically -- The Tenses of Frank O'Hara -- Forms of Narrative in the Poetry of Louise Gl¨uck -- Conclusion: Autobiography and the Language School -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","One Kind of Everything elucidates the uses of autobiography and constructions of personhood in American poetry since World War II, with helpful reference to American literature in general since Emerson. Taking on one of the most crucial issues in American poetry of the last fifty years, celebrated poet Dan Chiasson explores what is lost or gained when real-life experiences are made part of the subject matter and source material for poetry. In five extended, scholarly essays-on Robert Lowell, Elizabeth Bishop, Frank Bidart, Frank O'Hara, and Louise Glück-Chiasson looks specifically to bridge the chasm between formal and experimental poetry in the United States. Regardless of form, Chiasson argues that recent American poetry is most thoughtful when it engages most forcefully with autobiographical material, either in an effort to embrace it or denounce it."]