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[null,"1.","Record Nr.",null,"UNINA9910792581503321"]
[null,null,"Autore",null,"Gott Michael"]
[null,null,"Titolo",null,"French-language road cinema : borders, diasporas, migration and 'New Europe' / / Michael Gott"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh : , : Edinburgh University Press, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-4744-2601-8"]
[{"$nulls":4},"1-4744-2196-2"]
[{"$nulls":4},"0-7486-9868-X"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 195 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Traditions in world cinema"]
[null,null,"Disciplina",null,"791.4362"]
[null,null,"Soggetti",null,"Road films - French-speaking countries - History"]
[{"$nulls":4},"National characteristics, French, in motion pictures"]
[{"$nulls":4},"Travel in motion pictures"]
[{"$nulls":4},"Motion pictures, French"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 29 Sep 2017)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 182-189) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- CONTENTS -- Acknowledgements -- List of Illustrations -- Traditions in World Cinema -- Introduction -- 1. Mapping the Hybrid European Road: French Connections, European Traditions and American Influence? -- 2. Remapping the European Road -- 3. Cowboys, Icebergs, Anarchists and Toreadors: The Paradoxes and Possibilities of the Francophone Belgian Road Cinema -- 4. Travelling Beyond the National: Mobile Citizenship and Flexible Identities in French-language Return Road Movies -- 5. The End of the Road? Dark Routes and Urban Passageways -- Conclusion -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","Focusing on a corpus of films from France, Belgium and Switzerland, French-language Road Cinema contends that nowhere is the impulse to remap the spaces and identities of 'New Europe' more evident than in French-language cinema."]