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[null,"1.","Record Nr.",null,"UNINA9910792581203321"]
[null,null,"Autore",null,"Dickey Frances"]
[null,null,"Titolo",null,"The Edinburgh companion to T. S. Eliot and the arts / / edited by Frances Dickey and John D. Morgenstern"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, [Scotland] : , : Edinburgh University Press, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-4744-0530-4"]
[{"$nulls":4},"1-4744-0529-0"]
[null,null,"Descrizione fisica",null,"1 online resource (337 pages, 12 pages of plates) : illustrations"]
[null,null,"Collana",null,"Edinburgh Companions to Literature"]
[null,null,"Classificazione",null,"HM 2455"]
[null,null,"Disciplina",null,"821/.912"]
[null,null,"Soggetti",null,"ART / Criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Abbreviations of Works by T. S. Eliot -- Preface -- Editors’ Note -- Part I: Eliot and the Visual Arts -- Introduction -- 1 Eliot in the Asian Wing -- 2 The Modern Bacchanal: Eliot and Matisse -- 3 Eliot and Italian Painting -- 4 Eliot, Architecture, and Historic Preservation -- Part II: Eliot and the Performance Arts -- Introduction -- 5 The Musical World of Eliot’s Inventions -- 6 Wagner in The Waste Land -- 7 Hearing History: Eliot’s Rite of Spring -- 8 Beauty Is in the Ear of the Beholder: Eliot, Armstrong, and Ellison -- 9 The Music of Four Quartets -- 10 Eliot and the Music-Hall Comedian -- 11 Evenings at the Phoenix Society: Eliot and the Independent London Theatre -- 12 Eliot and Dance -- Part III: Eliot and Media -- Introduction -- 13 Eliot and the Idea of “Media” -- 14 Eliot and the Art of the Phonograph -- 15 Eliot’s Radio Times; or, Listen with Possum -- Notes on Contributors -- Index"]
[null,null,null,"Sommario/riassunto","Original and probing new scholarship on T. S. Eliot’s engagement with the visual and performance artsGBS_insertPreviewButtonPopup(['ISBN:9781474405287','ISBN:9781474405294','ISBN:9781474405300']);From his early “Curtain Raiser” to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot’s prose "]
[{"$nulls":4},"and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.Key FeaturesGathers cutting-edge scholarship on a wide range of arts, emphasising the interconnection of the arts in Eliot’s work and in modernism generallyAppears at a time when Eliot has been, and will continue to be, much in the news and closely studied because of the publication of his letters, collected poems and proseHailing from the UK, US, Continental Europe and India, the contributors to this volume have recently published significant books on modernism and the arts, shaping the fields that they here develop with respect to Eliot Interart studies is a new and rapidly growing field, particularly in music and dance\""]
[null,"2.","Record Nr.",null,"UNINA9910970461503321"]
[null,null,"Autore",null,"MacKenzie Donald A"]
[null,null,"Titolo",null,"An engine, not a camera : how financial models shape markets / / Donald MacKenzie"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Mass., : MIT Press, ©2006"]
[null,null,"ISBN",null,"9786612097676"]
[{"$nulls":4},"9780262250047"]
[{"$nulls":4},"0262250047"]
[{"$nulls":4},"9781282097674"]
[{"$nulls":4},"1282097679"]
[{"$nulls":4},"9780262278805"]
[{"$nulls":4},"0262278804"]
[{"$nulls":4},"9781423774488"]
[{"$nulls":4},"1423774485"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (392 p.)"]
[null,null,"Collana",null,"Inside technology"]
[null,null,"Disciplina",null,"332/.01/5195"]
[null,null,"Soggetti",null,"Capital market - Mathematical models"]
[{"$nulls":4},"Derivative securities - Mathematical models"]
[{"$nulls":4},"Financial crises - Mathematical models"]
[{"$nulls":4},"Financial crises"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Acknowledgements; 1 Performing Theory?; 2 Transforming Finance; 3 Theory and Practice; 4 Tests, Anomalies, and Monsters; 5 Pricing Options; 6 Pits, Bodies, and Theorems; 7 The Fall; 8 Arbitrage; 9 Models and Markets; Appendix A An Example of Modigliani and Miller's \"Arbitrage Proof\" of the Irrelevance of Capital Structure to Total Market Value; Appendix B Lévy Distributions; Appendix C Sprenkle's and Kassouf's Equations for Warrant Prices; Appendix D The Black-Scholes Equation for a European Option on a Non- Dividend-Bearing Stock; Appendix E Pricing Options in a Binomial World"]
[{"$nulls":4},"Appendix F Repo, Haircuts, and Reverse RepoAppendix G A Typical Swap-Spread Arbitrage Trade; Appendix H List of Interviewees; Glossary; Notes; Sources of Unpublished Documents; References; Series List; Index"]
[null,null,null,"Sommario/riassunto","This pioneering work in the social studies of finance describes how the "]
[{"$nulls":4},"emergence of modern finance theory has affected financial markets in fundamental ways. Paraphrasing Milton Friedman, the author says that economic models are an engine of inquiry rather than a camera to reproduce empirical facts."]