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[null,"1.","Record Nr.",null,"UNINA9910792397903321"]
[null,null,"Autore",null,"Mitchell Allan <1933->"]
[null,null,"Titolo",null,"A stranger in Paris : Germany's role in republican France, 1870-1940 / / Allan Mitchell"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; Oxford : , : Berghahn Books, , 2006"]
[null,null,"ISBN",null,"1-78920-606-5"]
[{"$nulls":4},"1-84545-125-2"]
[null,null,"Descrizione fisica",null,"1 online resource (viii, 95 p. )"]
[null,null,"Disciplina",null,"327.4304409/034"]
[null,null,"Soggetti",null,"France Foreign relations Germany"]
[{"$nulls":4},"Germany Foreign relations France"]
[{"$nulls":4},"France Foreign relations 1870-1940"]
[{"$nulls":4},"Germany Foreign relations 1871-"]
[{"$nulls":4},"France History Third Republic, 1870-1940"]
[{"$nulls":4},"France Politics and government 1870-1940"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"An unstable past -- An improvised state -- A voluntarist ethic -- A flagging demography -- A stagnant economy -- A sexist tradition -- An educated elite -- A xenophobic style -- A socialist revival -- A strange defeat? -- Epilogue."]
[null,null,null,"Sommario/riassunto","\"In this essay, the author maintains that the French Third Republic - and European history during this period in general - can only be understood if particular attention is paid to the special relationship that existed between France and Germany. The experience of the French people was so intimately related to that of its closest neighbor that a bilateral perspective becomes unavoidable. Without the unifying theme of Germany's crucial role in acting upon and within the French Republic, this story would become a much more random tale of events. After 1870, an autonomous national history of France is no longer possible.\"--BOOK JACKET."]
[null,"2.","Record Nr.",null,"UNINA9910973862103321"]
[null,null,"Autore",null,"Solhdju Katrin"]
[null,null,"Titolo",null,"Selbstexperimente : Die Suche nach der Innenperspektive und ihre epistemologischen Folgen / Katrin Solhdju, Karin Solhdju, Sigrid Weigel"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn, : Brill | Fink, 2012"]
[null,null,"ISBN",null,"3-8467-5075-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Trajekte"]
[null,null,"Disciplina",null,"150.72"]
[null,null,"Soggetti",null,"Psychologie"]
[{"$nulls":4},"experimentelle Psychologie"]
[{"$nulls":4},"allg. Psychologie"]
[{"$nulls":4},"Seelenkunde"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Preliminary Material / Katrin Solhdju -- Einleitung / Katrin Solhdju -- Nerven-Werden. Die abenteuerliche Untersuchung eines Arms von innen und aussen 1903-1908 / Katrin Solhdju -- Wahnsinnig-Werden. Selbstexperimentieren zur Modellierung und Artikulation des Wahnsinns 1837-1855 / Katrin Solhdju -- Plural Werden. Zwischen Selbstanästhesierungen und der Entdeckung des Pluriversums 1860-1920 / Katrin Solhdju -- Schluss Welche Epistemologie für Selbstexperimente? / Katrin Solhdju -- Literaturverzeichnis / Katrin Solhdju -- Abbildungsnachweise / Katrin Solhdju -- Dank / Katrin Solhdju."]
[null,null,null,"Sommario/riassunto","Mit dem wachsenden Interesse für die Vorgänge des Lebendigen im 19. Jahrhundert rückten auch subjektive Erfahrungen in den Bereich lebenswissenschaftlicher Forschung. Damit wurde nicht zuletzt die Frage nach der adäquaten Perspektive virulent, von der aus sich ein Wissen über diese Innerlichkeiten generieren ließe. Das Buch nimmt in drei Fallstudien das neurologische Selbstexperiment Henry Heads, Jacques-Joseph Moreau de Tours’ psychiatrische Versuche, den Wahnsinn mit Haschisch zu modellieren, und Benjamin Paul Bloods philosophisch ambitionierten Lachgaskonsum in den Blick, deren Protagonisten sich allesamt dafür entschieden die Innenperspektive einzunehmen und an sich selbst zu experimentieren."]