{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":26,"n_cols":5,"rows_kept":26,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[18,2,18,3],[19,2,19,3],[23,2,23,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910792327803321"]
[null,null,"Titolo",null,"Popular culture, crime and social control [[electronic resource] /] / edited by Mathieu Deflem"]
[null,null,"Pubbl/distr/stampa",null,"Bingley, : Emerald, 2010"]
[null,null,"ISBN",null,"1-282-55266-X"]
[{"$nulls":4},"9786612552663"]
[{"$nulls":4},"1-84950-733-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (300 p.)"]
[null,null,"Collana",null,"Sociology of crime, law and deviance, , 1521-6136 ; ; v. 14"]
[null,null,"Disciplina",null,"364"]
[null,null,"Soggetti",null,"Popular culture"]
[{"$nulls":4},"Crime"]
[{"$nulls":4},"Social control"]
[{"$nulls":4},"Sociology & anthropology"]
[{"$nulls":4},"Crime & criminology"]
[{"$nulls":4},"Social Science - Sociology - General"]
[{"$nulls":4},"Social Science - Popular Culture"]
[{"$nulls":4},"Social Science - Criminology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based on print version record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: the criminology of popular culture / Mathieu Deflem -- Part I: Crime and Social Control in the Visual Arts. Reefer Madness and beyond / Susan Boyd ; The Dark Knight: constructing images of good vs. evil in an age of anxiety / Nickie D. Phillips ; Superhero justice: the depiction of crime and justice in modern-age comic books and graphic novels / Bradford W. Reyns and Billy Henson ; Televised images of jail: lessons in controlling the unruly / Dawn K. Cecil -- Part II: Resistance, Crime, and Protest in Music. \"I broke the law? No, the law broke me!\" Palestinian hip-hop and the semiotics of occupation / Judah Schept ; Rap music's violent and misogynistic effects: fact or fiction? / Charis E. Kubrin and Ronald Weitzer ; Crime resistance and song: black musicianship is black criminology / Viviane Saleh-Hanna ; The different sounds of American protest: from freedom songs to punk rock / Ellen C. Leichtman -- Part III: Crime and Justice in Non-Fiction. Evil monsters and cunning perverts: representing and regulating the dangerous paedophile / Anneke Meyer ; Framing the scene: presentations of "]
[{"$nulls":4},"forensics programming in the news / Gregory G. Justis and Steven Chermak ; Beach crime in popular culture: confining the carnivalesque in Salvador da Bahia, Brazil / Stephanie C. Kane ; Here be dragons: Lombroso, the gothic, and social control / Nicole Rafter and Per Ystehede."]
[null,null,null,"Sommario/riassunto","This volume contains contributions on the theme of popular culture, crime, and social control.  The chapters in this volume tease out various criminologically relevant issues, pertaining to crime/deviance and/or the control thereof, on the basis of an analysis of various aspects and manifestations of popular culture, including music, movies, television, paintings, sculptures, photographs, cartoons, and the internet-based audio-visual materials that are presently available. Thematically diverse within the province of criminology, the chapters in this book are not restricted in terms of theoretical approach and methodological orientation. Using a variety of methodological and theoretical perspectives, the volume is diverse in addressing dimensions of popular culture in relation to important criminological questions."]