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[null,"1.","Record Nr.",null,"UNISA996393954803316"]
[null,null,"Autore",null,"Burnet Gilbert"]
[null,null,"Titolo",null,"The Prince of Orange his declaration: shewing the reasons vvhy he invades England [[electronic resource] ] : With a short preface, and some modest remarks on it"]
[null,null,"Pubbl/distr/stampa",null,"London, : Published by Randal Taylor, near Stationers-Hall, MDCLXXXVIII. [1688]"]
[null,null,"Descrizione fisica",null,"32 p"]
[null,null,"Soggetti",null,"Great Britain History Revolution of 1688 Early works to 1800"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Erroneously attributed to Gilbert Burnet. Burnet was actually the translator of the declarations written for William of Orange by Gaspar Fagel and not the author of animadversions concerning them. See J.E.S. Clarke and H.C. Foxcroft, \"Life of Gilbert Burnet\", p. 243."]
[{"$nulls":4},"A reprinting of and reply to: William III, King of England.  The declaration of his Highness William Henry, by the grace of God, Prince of Orange, &c. of the reasons inducing him to appear in arms for preserving of the Protestant religion and for restoring the laws and liberties of England, Scotland and Ireland."]
[{"$nulls":4},"Also reprints \"His Highnesses additional declaration\" and includes \"Animadversions\" on both declarations (p. 19-30)."]
[{"$nulls":4},"Reproduction of original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0016"]
[null,"2.","Record Nr.",null,"UNINA9910792234003321"]
[null,null,"Autore",null,"Cohn Richard Lawrence <1955->"]
[null,null,"Titolo",null,"Audacious euphony [[electronic resource] ] : chromaticism and the consonant triad's second nature / / Richard Cohn"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; Oxford, : Oxford University Press, 2012"]
[null,null,"ISBN",null,"1-283-42289-1"]
[{"$nulls":4},"9786613422897"]
[{"$nulls":4},"0-19-977321-1"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Collana",null,"Oxford studies in music theory"]
[null,null,"Disciplina",null,"781.2/5"]
[null,null,"Soggetti",null,"Harmony"]
[{"$nulls":4},"Triads (Music)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Introduction; About the Companion Web Site; 1 Mapping the Triadic Universe; Three Ways to Calculate Triadic Distance; Triads in Chromatic Space; Remarks on Syntax and Maps; 2 Hexatonic Cycles; A Minimal-Work Model of the Triadic Universe; The Hexatonic Trance; Contrary Motion and Balance; Hexatonic Progressions, Tonnetz Representations, and Triadic Transformations; Near Evenness, Minimal Voice Leading, and the Central Role of Augmented Triads ; Remarks on Dualism; Triadic Structure Generates Pan-Triadic Syntax; Triads Are Homophonous Diamorphs; 3 Reciprocity"]
[{"$nulls":4},"The Historical Emergence of Augmented TriadsConsonance/Dissonance Reciprocity; Two Early-Century Examples: Beethoven and Schubert; Three Late-Century Examples: Liszt, Rimsky-Korsakov, Fauré; Reciprocity in Weitzmann's Der Ubermässige Dreiklang; 4 Weitzmann Regions; The Structure of a Weitzmann Region; Weitzmann Transformations and N/R Cycles; Remarks on the Tonnetz; Historical Origins of Weitzmann Regions; The Double-Agent Complex; Expanded N/R Chains; Weitzmann Regions without Sequences: Wagner and Strauss; 5 A Unified Model of Triadic Voice-Leading Space"]
[{"$nulls":4},"8 Syntactic Interaction and the Convertible TonnetzSome Previous Proposals; The Diatonic Tonnetz; Horizontal Extensions; Vertical Extensions; The Convertible Tonnetz; Two Analytical Vignettes: Wagner and Brahms; 9 Double Syntax and the Soft Revolution; A Summary Example from Schubert; Double Syntax and Its Skeptics; Code Switching "]
[{"$nulls":4},"and Double Determination; Cognitive Opacity; The Soft Revolution; On Musical Overdetermination; Glossary; A; B; C; D; G; H; I; L; N; O; P; R; S; T; U; V; W; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z"]
[null,null,null,"Sommario/riassunto","Reconstructing historical conceptions of harmonic distance 'Audacious Euphony' advances a geometric model appropriate to understanding triadic progressions characteristic of 19th-century music."]