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[null,"1.","Record Nr.",null,"UNINA9910792134103321"]
[null,null,"Autore",null,"Limbrick Peter <1967->"]
[null,null,"Titolo",null,"Making settler cinemas : film and colonial encounters in the United States, Australia, and New Zealand / / P. Limbrick"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2010"]
[null,null,"ISBN",null,"1-282-90986-X"]
[{"$nulls":4},"9786612909863"]
[{"$nulls":4},"0-230-10791-5"]
[null,null,"Edizione",null,"[1st ed. 2010.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xiv, 272 pages) : illustrations"]
[null,null,"Disciplina",null,"791.43/6581"]
[null,null,"Soggetti",null,"Culture in motion pictures"]
[{"$nulls":4},"Imperialism in motion pictures"]
[{"$nulls":4},"Indigenous peoples in motion pictures"]
[{"$nulls":4},"Motion pictures - Political aspects - Australia"]
[{"$nulls":4},"Motion pictures - Political aspects - New Zealand"]
[{"$nulls":4},"Motion pictures - Political aspects - United States"]
[{"$nulls":4},"Art - Film - Film-makers"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [237]-252)."]
[null,null,"Nota di contenuto",null,"Part one: Making a settler cinema in the United States -- Playing empire: settler masculinities, adventure, and The four feathers (1929) --  Imperial production, settler colonialism, and the Argosy Westerns --  Part two: Empire and settler cinema in Australia -- Ealing's Australian westerns -- Part three: Film history and settler cinema in Aotearoa/New Zealand -- Hei Tiki (1935): film histories past and present  -- Unsettled histories: The seekers (1954)."]
[null,null,null,"Sommario/riassunto","Through a shrewd analysis of the historical experience of imperialism and settler colonialism, Limbrick draws new conclusions about their effect on cinematic production, distribution, reception and filmic discourse."]