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[null,"1.","Record Nr.",null,"UNINA9910791940303321"]
[null,null,"Autore",null,"Beach David <1938-, >"]
[null,null,"Titolo",null,"Analysis of 18th- and 19th-century musical works in the classical tradition / / David Beach, University of Toronto, Ryan McClelland, University of Toronto"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY ; ; Abingdon, Oxon : , : Routledge, , 2012"]
[null,null,"ISBN",null,"1-136-32975-7"]
[{"$nulls":4},"1-280-66502-5"]
[{"$nulls":4},"9786613641953"]
[{"$nulls":4},"0-203-12183-X"]
[{"$nulls":4},"1-136-32976-5"]
[null,null,"Descrizione fisica",null,"1 online resource (385 p.)"]
[null,null,"Disciplina",null,"780.9/033"]
[null,null,"Soggetti",null,"Musical analysis"]
[{"$nulls":4},"Harmony"]
[{"$nulls":4},"Musical form"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Analysis of 18th- and 19th-Century Musical Worksin the Classical Tradition; Copyright; Contents; Preface; PART I: Principles of Harmony and Phrase Design; 1. A Review of Diatonic Harmony; Designation of Pitch and Chords; Tonal Functions; Common Sequential Patterns; Passing and Neighboring Chords; Functions of Individual Chords; Summary of Concepts and Terminology; Suggested Assignments; 2. Expanding the Diatonic Palette; Secondary Dominants and Diminished Seventh Chords; Chromaticized Sequences; Diatonic Modulation; Modulation from an Initial Major Key"]
[{"$nulls":4},"A Summary Example: Bach, French Suite No. 5, GavotteModulation from an Initial Minor Key; A Summary Example: Bach, French Suite No. 2, Menuet; Suggested Assignments; 3. Phrase Design; Phrase Design; What is a phrase?; Phrase Construction and Combination-Part 1: The Period; Phrase Construction and Combination-Part 2: The Sentence; Phrase Construction and Combination-Part 3: Larger Period Design; Phrase Elision and Hypermeter; Phrase Elision; Hypermeter; Phrase Expansion; External Phrase Expansions; Internal Phrase Expansions; A Summary Analysis (Haydn); Suggested Assignments"]
[{"$nulls":4},"4. Further Expansion of the Harmonic PaletteModal Mixture; Two "]
[{"$nulls":4},"Important Chromatic Chords: The Neapolitan Sixth and the Augmented Sixth; Analysis (Beethoven); Modulation; Suggested Assignments; PART II: Analysis; 5. Binary and Rounded Binary Forms; Binary Form; Rounded Binary Form; Haydn, Symphony No. 101 in D Major (\"\"Clock\"\"), III; Beethoven, Piano Sonata in A, Major, op. 26, II; Brahms, Piano Sonata in F Minor, op. 5, III; Suggested Assignments; 6. Classical Sonata Form; Mozart, Piano Sonata in F Major, K. 332, I; Beethoven, Piano Trio in C Minor, op. 1, no. 3, I; Suggested Assignments"]
[{"$nulls":4},"7. Sonata Form in the Nineteenth CenturyBeethoven, Piano Sonata in F Minor, op. 57, I; Brahms, Clarinet (or Viola) Sonata in F Minor, op. 120, no. 1, I; Suggested Assignments; 8. Ternary Form; Beethoven, Piano Sonata in D Major, op. 10, no. 3, II; Schubert, Impromptu in G Major, op. 90, no. 3; Brahms, Intermezzo in B Minor, op. 117, no. 2; Suggested Assignments; 9. Rondo Form; Rondo Form; Mozart, Piano Sonata in B Brahms, Violin Sonata in D Major, K. 333, III; Minor, op. 108, IV; Suggested Assignments; Appendix: Notes on Musical Reductions; Notes; Index of Musical Works"]
[{"$nulls":4},"Index of Names and Terms"]
[null,null,null,"Sommario/riassunto","Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music-the formal, harmonic, rhythmic, and voice-leading organizations-as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms.The book begins with foundational chapters in music theory, s"]