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[null,"1.","Record Nr.",null,"UNINA9910791674403321"]
[null,null,"Titolo",null,"Haiku before haiku [[electronic resource] ] : from the Renga masters to Bashō / / translated, with an introduction, by Steven D. Carter"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Columbia University Press, c2011"]
[null,null,"ISBN",null,"1-282-99042-X"]
[{"$nulls":4},"9786612990427"]
[{"$nulls":4},"0-231-52706-3"]
[null,null,"Descrizione fisica",null,"1 online resource (176 p.)"]
[null,null,"Collana",null,"Translations from the Asian classics"]
[null,null,"Disciplina",null,"895.6/1008"]
[null,null,"Soggetti",null,"Haiku"]
[{"$nulls":4},"Japanese poetry - 1185-1600"]
[{"$nulls":4},"Japanese poetry - Edo period, 1600-1868"]
[{"$nulls":4},"Renga"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; The Poems; The Nun Abutsu; Mushō; Zenna; Reizei Tamesuke; Musō Soseki; Junkaku; Gusai; Nijō Yoshimoto; Shūa; Sōa; Asayama Bontō; Mitsuhiro; Fushiminomiya Sadafusa; Chiun; Takayama Sōzei; Gyōjo; Nōa; Shinkei; Senjun; Sugiwara Sōi; Sōgi; Hino Tomiko; Emperor Go-Tsuchimikado; Ōuchi Masahiro; Inkō; Shōhaku; Sakurai Motosuke; Sōchō; Inawashiro Kensai; Sanjōnishi Sanetaka; Sōseki; Reizei Tamekazu; Tani Sōboku; Shūkei; Sōyō; Arakida Moritake; Shōkyū; Ikkadō Jōa; Sanjōnishi Kin'eda; Miyoshi Chōkei; Satomura Jōha; Satomura Shōshitsu; Oka Kōsetsu; Hosokawa Yūsai"]
[{"$nulls":4},"Satomura GenjōMatsudaira Ietada; Shōtaku; Matsunaga Teitoku; Wife of Mitsusada; Miura Tamenori; Nishiyama Sōin; Nōjun; Konishi Raizan; Matsuo Bashō; Bibliography"]
[null,null,null,"Sommario/riassunto","While the rise of the charmingly simple, brilliantly evocative haiku is often associated with the seventeenth-century Japanese poet Matsuo Basho, the form had already flourished for three hundred years before Basho even began to write. These early poems, known as  hokku, are identical to haiku in syllable count and structure but function differently as a genre. Whereas each haiku is its own constellation of image and meaning,  hokku opens a a series of linked, collaborative stanzas in a sequence called  renga.Under the mastery of Basho,  hokku "]
[{"$nulls":4},"first g"]