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[null,"1.","Record Nr.",null,"UNINA9910791482703321"]
[null,null,"Autore",null,"Irr Caren"]
[null,null,"Titolo",null,"Pink pirates [[electronic resource] ] : contemporary American women writers and copyright / / by Caren Irr"]
[null,null,"Pubbl/distr/stampa",null,"Iowa City, : University of Iowa Press, 2010"]
[null,null,"ISBN",null,"1-58729-945-3"]
[null,null,"Descrizione fisica",null,"1 online resource (233 p.)"]
[null,null,"Disciplina",null,"813/.54099287"]
[null,null,"Soggetti",null,"American fiction - Women authors - History and criticism"]
[{"$nulls":4},"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Intellectual property in literature"]
[{"$nulls":4},"Piracy (Copyright) - United States - History - 20th century"]
[{"$nulls":4},"Law and literature - United States - History - 20th century"]
[{"$nulls":4},"Feminism and literature - United States - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: the problem of copyright -- A feminist history of copyright: 1710 to 2010 -- The maternal commons: Reyher, Kroeber, and Le Guin -- Appropriating Inuit fashions: from Donna Karan to the scientific fictions of Andrea Barrett -- Obscenity versus freedom of speech: the outside of ownership in Kathy Acker's Pussy, king of the pirates -- Transracial parody: 2 live crew meets Leslie Marmon Silko -- Conclusion: toward a pink commons."]
[null,null,null,"Sommario/riassunto","Today, copyright is everywhere, surrounded by a thicket of no-trespassing signs that mark creative work as private property. Caren Irr's Pink Pirates asks how contemporary novelists-represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko-have read those signs, arguing that for feminist writers in particular copyright often conjures up the persistent exclusion of women from ownership. Bringing together voices from law schools, courtrooms, and the writer's desk, Irr shows how some of the most inventive contemporary feminist novelists have reacted to this history."]