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[null,"1.","Record Nr.",null,"UNINA9910791150103321"]
[null,null,"Autore",null,"Middleton Christopher <1926-2015.>"]
[null,null,"Titolo",null,"Loose cannons : selected prose / / Christopher Middleton ; foreword by August Kleinzahler ; cover art courtesy of Philip Trussell ; book design by Lila Sanchez"]
[null,null,"Pubbl/distr/stampa",null,"Albuquerque, New Mexico : , : University of New Mexico Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8263-5520-X"]
[null,null,"Descrizione fisica",null,"1 online resource (150 p.)"]
[null,null,"Collana",null,"Recencies Series : Research and Recovery in Twentieth-Century American Poetics"]
[null,null,"Disciplina",null,"824.008"]
[null,null,"Soggetti",null,"English essays"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Front Cover; Title Page; Copyright; Contents; Foreword by August Kleinzahler; Prologue by Christopher Middleton; 1; Curbaram; The Birth of the Smile; From the Alexandria Library Gazette; Manuscript in a Lead Casket; A Bachelor; Ignorance; A Memorial to the Room-Collectors; Nine Biplanes; 2; Or Else; Louise Moillon's Apricots (1635); From Serpentine; Ingestion; This Is Lavender; The Green Heron; Commodus; Fruit Bringers; Bivouac; The Image; 3; From Earth Myriad Robed; The Turkish Rooftops; The Execution of Maximilian; Balzac's Face; Cliff's Dwarf; Le Déjeuner; In the Mirror of the Eighth King"]
[{"$nulls":4},"4Coriolan; Parthenogenesis in Charcoal; A Polka in the Evening of Time; The Gaze of the Turkish Mona Lisa; A Postscript to the Great Poem of Time; From Depictions of Blaff; The Pines of Rome; The Sycorax Syndrome; The Weathervane Oiler; Thoreau's Arrow; Sources and Notes; Back Cover"]
[null,null,null,"Sommario/riassunto","Like his poetry, Middleton's prose pieces are alive with incongruity, collage, and surprising juxtapositions."]