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[null,"1.","Record Nr.",null,"UNINA9910791048103321"]
[null,null,"Autore",null,"Bentley G. E."]
[null,null,"Titolo",null,"William Blake in the desolate market / / G.E. Bentley Jr"]
[null,null,"Pubbl/distr/stampa",null,"Montréal, Québec : , : McGill-Queen's University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-7735-8167-7"]
[{"$nulls":4},"0-7735-9029-3"]
[null,null,"Descrizione fisica",null,"1 online resource (297 p.)"]
[null,null,"Disciplina",null,"821/.7"]
[null,null,"Soggetti",null,"Engravers - Great Britain"]
[{"$nulls":4},"Poets, English - 18th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Blake in the Marketplace -- Blake as a Commercial Engraver, 1772-1827 -- \"A Blaze of Reputation\": The Mathew Salon and Poetical Sketches (1783) -- The Print Shop, 1784-1785 -- Blake as a Teacher, 1784-1827 -- The Blakes as Printers, 1784-1827 -- Blake as a Painter, 1779-1827 -- Blake as Publisher of Works in Conventional Typography -- Blake's Works in Illuminated Printing, 1789-1827 -- Summary of Blake's Career -- Appendix: Blake's Patrons."]
[null,null,null,"Sommario/riassunto","Experience taught William Blake that \"Wisdom is sold in the desolate market where none come to buy.\" His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living. G.E. Bentley Jr, the dean of Blake scholars, details the poet's occupations as a commercial engraver, print-seller, teacher, copperplate printer, painter, publisher, and vendor of his own books. In his early career as a commercial engraver, Blake was modestly prosperous, but thereafter his fortunes declined. For his most ambitious commercial designs, he made hundreds of folio designs and scores of engravings, but was paid scarcely more than twenty pounds for two or three years' work. His invention of illuminated printing lost money, and many of his greatest works, such as Jerusalem, were left unsold at his death. He came to believe that his \"business is not to gather gold, but to make glorious shapes.\" William Blake in the Desolate Market is an investigation of Blake's labours to support himself by his arts. The changing prices of "]
[{"$nulls":4},"his works, his costs and receipts, as well as his patrons and employers are expertly gathered and displayed to show the material side of the artistic career in Britain's Romantic period."]
[null,"2.","Record Nr.",null,"UNINA9910796388203321"]
[null,null,"Autore",null,"Cunliffe Barry"]
[null,null,"Titolo",null,"On the ocean : the Mediterranean and the Atlantic from prehistory to AD 1500 / / Barry Cunliffe"]
[null,null,"Pubbl/distr/stampa",null,"London, [England] : , : Oxford University Press, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"0-19-107534-5"]
[{"$nulls":4},"0-19-107533-7"]
[null,null,"Descrizione fisica",null,"1 online resource (642 pages) : illustrations (some color)"]
[null,null,"Disciplina",null,"909.09"]
[null,null,"Soggetti",null,"Ocean and civilization"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Atlantic Ocean History"]
[{"$nulls":4},"Mediterranean Sea History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"; 1. Those in peril on the sea -- ; 2. The combat that is called navigation -- ; 3. Taking to the sea -- ; 4. Two seas, many responses, 5300-1200 BC -- ; 5. The eastern Mediterranean cauldron, 5300-1200 BC -- ; 6. Exploring the ends of the world, 1200-600 BC -- ; 7. Of ships and sails: a technical interlude -- ; 8. Exploring the outer ocean, 600-100 BC -- ; 9. The Atlantic community, 100 BC -- AD 500 -- ; 10. An end and a beginning, 300-800 -- ; 11. The age of the Northmen, 780-1100 -- ; 12. The new European order, 1100-1400 -- ; 13. The ocean conquered, 1400-1510 -- ; 14. Reflections on the ocean -- Glossary of nautical terms."]
[null,null,null,"Sommario/riassunto","Barry Cunliffe looks at the development of seafaring on the Mediterranean and the Atlantic, two contrasting seas; the Mediterranean without a significant tide, enclosed and soon to become familiar, the Atlantic with its frightening tidal ranges, an ocean without end. We begin with the Middle Palaeolithic hunter-gatherers in the eastern Mediterranean building simple vessels to make their remarkable crossing to Crete and we end in the early years of the sixteenth century with sailors from Spain, Portugal and England establishing the limits of the ocean from Labrador to Patagonia. The message is that the contest between humans and the sea has been a driving force, perhaps the driving force, in human history."]