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[null,"1.","Record Nr.",null,"UNINA9910784480603321"]
[null,null,"Autore",null,"Raeff Catherine <1964-, >"]
[null,null,"Titolo",null,"Always separate, always connected : independence and interdependence in cultural contexts of development / / Catherine Raeff"]
[null,null,"Pubbl/distr/stampa",null,"Mahwah, N.J : , : Lawrence Erlbaum, , 2006"]
[null,null,"ISBN",null,"1-135-63372-X"]
[{"$nulls":4},"1-135-63373-8"]
[{"$nulls":4},"1-282-37555-5"]
[{"$nulls":4},"9786612375552"]
[{"$nulls":4},"1-4106-1699-1"]
[null,null,"Descrizione fisica",null,"1 online resource (310 p.)"]
[null,null,"Disciplina",null,"305.231"]
[null,null,"Soggetti",null,"Child development"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Identity (Psychology) in children"]
[{"$nulls":4},"Dependency (Psychology)"]
[{"$nulls":4},"Autonomy (Psychology)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 256-275) and indexes."]
[null,null,"Nota di contenuto",null,"Contents; Preface; 1 Theoretical Foundations, Part 1; 2 Theoretical Foundations, Part 2; 3 A Historical Case Study: Independence and Interdependence in Euro-American Cultural Traditions; 4 Independence and Interdependence in Parent-Child Relationships; 5 Independence and Interdependence in Educational Settings; 6 Independence, Interdependence, and Self-Construction; 7 Independence and Interdependence in Late Adolescent Self-Constructions; 8 Recurring Themes; References; Author Index; Subject Index"]
[null,null,null,"Sommario/riassunto","In recent years, there has been a proliferation of theoretical and empirical scholarship on how issues of human separateness, or independence, and issues of human connectedness, or interdependence, are played out in diverse cultural contexts. Despite agreement on the value of understanding culture and development in terms of independence and interdependence, many issues remain open for continued theoretical refinement and empirical analysis.This book presents a fresh conceptualization which holds that independence and "]
[{"$nulls":4},"interdependence are multifaceted and inseparable dimensions of human"]
[null,"2.","Record Nr.",null,"UNINA9910791036903321"]
[null,null,"Titolo",null,"Género y exilio teatral republicano : entre la tradición y la vanguardia / / editado por Francisca Vilches-de Frutos [and three others]"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, Netherlands : , : Rodopi, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"94-012-1049-7"]
[null,null,"Descrizione fisica",null,"1 online resource (345 p.)"]
[null,null,"Collana",null,"Foro Hispánico, , 0925-8620 ; ; 48"]
[null,null,"Classificazione",null,"18.32"]
[null,null,"Disciplina",null,"862.609"]
[null,null,"Soggetti",null,"Spanish drama - 20th century - History and criticism"]
[{"$nulls":4},"Exiles' writings, Spanish - History and criticism"]
[{"$nulls":4},"Women in the theater"]
[{"$nulls":4},"Spanish drama - Women authors - History and criticism"]
[{"$nulls":4},"Women in literature"]
[{"$nulls":4},"Latin America"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Exilio, paradigmas identitarios y agencia femenina: la renovación de los discursos narrativos y visuales del Teatro Español del Siglo XX / Francisca Vilches-de Frutos , Pilar Nieva-de la Paz , José-Ramón López García and y Manuel Aznar Soler -- Entre ondas, lienzos y bambalinas: los retratos de mujer de María Teresa León / Francisca Vilches-de Frutos -- ‘Mujer moderna’, compromiso político y cambio social en Primavera inútil (1944), de Ma Luisa Algarra / Pilar Nieva-de la Paz -- Mitos e identidad femenina en el exilio: Circe y los cerdos (1974), de Carlota O’Neill / Inmaculada Plaza-Agudo -- Memoria, trauma y construcción identitaria: Cuarta dimensión (1974), de Carlota O’Neill / Luisa García-Manso -- La obra dramática de Montserrat Julió: El viaje de Sig y Frido al Rhin y Albertina, escríbeme / Verónica Azcue -- La mujer fantasma en Amada y tú, de Amparo Alvajar / Yasmina Yousfi López -- ¿Subversivas o sumisas?: El teatro de Isabel Fernández y Cuqui Ponce de León en la Cuba republicana / José-Ramón López García -- El teatro de María y Gregorio Martínez Sierra ante la censura franquista / Berta Muñoz Cáliz -- Ecos identitarios en la obra teatral de María Martínez Sierra en el exilio republicano / Julio E. Checa Puerta -- María Casares, Margarita Xirgu y el estreno de Yerma, de Federico García Lorca, en el Teatro Municipal General San Martín de "]
[{"$nulls":4},"Buenos Aires (1963) / Manuel Aznar Soler -- Encarnación López La Argentinita, la bailarina del exilio (1936-1945) / Idoia Murga Castro -- Margarita Xirgu, pedagogía teatral / Carmen Menéndez-Onrubia -- María Solà de Sellarés: una pedagogía nueva para la modernización del teatro centroamericano / José Ángel Ascunce Arrieta -- Las protagonistas del exilio republicano en la escena española del siglo XXI: una aproximación / Raquel García-Pascual -- Lecturas femeninas de La isla del tesoro (1952), de Pedro Salinas / María Teresa González de Garay -- Mujeres y feminidad en el teatro de José Bergamín / Teresa Santa María Fernández -- Mujeres que hacen perder la cabeza. Salomé y Judith en dos obras de teatro del exilio / Fernando Doménech Rico -- Género y sexualidad en la obra dramática de Álvaro Custodio / Juan Pablo Heras González -- El personaje femenino en dos películas co-escritas por Max Aub o cómo cuestionar la identidad y las relaciones de género en La monja alférez (1944) y Cárcel de mujeres (1951) / Marie-Soledad Rodriguez -- “Una rara mujer”: la condición femenina en la producción dramática del exiliado Martín Perea Romero / Francisca Montiel Rayo -- La respuesta barroca de Tomás Segovia al existencialismo: el ‘segundo sexo’ en Zamora bajo los astros (1959) / Eugenia Houvenaghel and Dagmar Vandebosch -- Exilio, mujer y guerra: conflicto bélico y personajes femeninos en el teatro de Álvaro de Orriols / Diego Santos Sánchez -- Figuras femeninas en el teatro de Sigfredo Gordón Carmona / José C. Paulino Ayuso."]
[null,null,null,"Sommario/riassunto","This volume deals with the commitment in the defense of egalitarian values by theatrical creators of the Spanish republican exile of 1939. Their innovative narrative and visual discourse offer models of masculinity and femininity that represent the change in gender paradigms derived from the rising leading role of women in the public sphere. The book approaches the potential differentiation of work produced by them in terms of sexual identity, especially in questions as maternity and conjugality, showing the position of society with regard to the professional women. It also explains the influence of the professional roles achieved by the republican Spanish women in the international scene –Mexico, France, Argentina, Cuba, Chile, El Salvador, Guatemala, Uruguay– thanks to their use of modern artistic languages in works located between Vanguard and Tradition. They were also known for their work in Cinema, Radio, Television, Pedagogy and Translation. All these fields let women creators and managers continue with their artistic labor in the republican exile. Without forgetting the links with the country of origin, they were the best ambassadors of those artistic vanguards that so influenced the modernization of ideological and esthetic discourse in Western societies. Este volumen indaga sobre el compromiso en la defensa de valores igualitarios por parte de los creadores y creadoras teatrales del exilio republicano de 1939, cuyos innovadores discursos narrativos y visuales presentan unos modelos de masculinidad y feminidad representativos del cambio en los paradigmas de género acordes con el creciente protagonismo de las mujeres en la Esfera pública. Aborda la potencial diferenciación de sus realizaciones en relación con su identidad sexual, en especial en cuestiones como la maternidad y la conyugalidad, y la posición de la sociedad ante las mujeres profesionales. Trata asimismo de la influencia que tuvo la agencia femenina republicana en la escena internacional -México, Francia, Argentina, Cuba, Chile, El Salvador, Guatemala, Uruguay-, gracias a la modernidad de sus lenguajes expresivos, entre la Vanguardia y la Tradición, y a su trabajo en el Cine, la Radio, la Televisión, la Pedagogía o la Traducción, que permitió a estas creadoras y gestoras continuar su labor artística durante su exilio. Sin olvidar sus vínculos con su país de "]
[{"$nulls":4},"origen, fueron los mejores embajadores de aquellas vanguardias históricas que tanto influyeron en la modernización de los discursos ideológicos y estéticos de las sociedades occidentales."]