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[null,"1.","Record Nr.",null,"UNINA9910790467203321"]
[null,null,"Autore",null,"Gallo Guy"]
[null,null,"Titolo",null,"Screenwriter's compass [[electronic resource] ] : character as true North / / Guy Gallo"]
[null,null,"Pubbl/distr/stampa",null,"Routledge, , 2012"]
[null,null,"ISBN",null,"1-136-03873-6"]
[{"$nulls":4},"1-136-03874-4"]
[{"$nulls":4},"1-280-58210-3"]
[{"$nulls":4},"9786613611888"]
[{"$nulls":4},"0-240-81808-3"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (215 p.)"]
[null,null,"Disciplina",null,"808.2/3"]
[{"$nulls":4},"808.23"]
[null,null,"Soggetti",null,"Motion picture authorship"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2012."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Screenwriter's Compass: Character As True North; Copyright; CONTENTS; PREFACE; ACKNOWLEDMENTS; 1 FIRST THINGS; SCREENWRITER'S COMPASS; BIG DEAL-YOU'RE WRITING A SCREENPLAY; GEAR UP; SCREENWRITING IS WRITING; CRAFTSMANSHIP; 2 GROUNDWORK; READING THEORY; UPESETTING ARISTOTLE; PUTTING ARISTOTLE TO WORK; CHARACTER-DRIVEN VERSUS PLOT-DRIVEN; FABLE AND CONSTRUCT; TURNING THEORY TO TASK; 3 GETTING READY; MASTER SHOT SCREENPLAY; READING SCREENPLAYS; COMPOSITION CREATES STORY; ON OUTLINES; ON CHARACTER HISTORIES; ON TREATMENTS; ON ADAPTATION; 4 FIRST DRAFT; THE BLANK PAGE"]
[{"$nulls":4},"SCENE AND ACTION DESCRIPTIONBEING GOD; HEARING VOICES; EMPATHY; THINKING OF STRUCTURE; BREAKING A BLOCK; 5 REVISION; FIRST READER; LOOKING AGAIN FOR LOGIC; QUESTIONS; CHALLENGES AND PITFALLS; ON EXPECTATION; 6 FINISHING; WRIGHTING A SREENPLAY; SCREENPLAY FORMAT; PROOFRADING; SUBMISSION; 7 GETTING READY AGAIN; PASSION AND PURPOSE; HAPPY ACCIDENT; INTUION AND ANALYSIS; LESSONS; INDEX"]
[null,null,null,"Sommario/riassunto","Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. "]
[{"$nulls":4},"Screenwriter's Compass presents a new way of approaching screenwriting, examining how effective screen storytelling must be grounded in the vivid imagining and presentation of character. Screenwriter's Compass will not offer formulas to follow but instead will give you the tools needed to chart your own path to screenwriting success. It details useful ways of thinking about writing, as well as practical ideas and concepts to help you discover the unique geography of your own imagination and navigate the problems posed by the struggle to express vision, agenda, and story. You'll learn how to root your writing in motivation and voice, to create screenplays that seduce and make your reader lean forward, and, most importantly, identify with your characters."]