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[null,"1.","Record Nr.",null,"UNINA9910790374703321"]
[null,null,"Autore",null,"Zebracki Martin <1984->"]
[null,null,"Titolo",null,"Public artopia [[electronic resource] ] : art in public space in question / / Martin Zebracki"]
[null,null,"Pubbl/distr/stampa",null,"[Amsterdam], : Pallas Publications, c2012"]
[null,null,"ISBN",null,"1-280-66709-5"]
[{"$nulls":4},"9786613644022"]
[{"$nulls":4},"90-485-1678-1"]
[null,null,"Descrizione fisica",null,"1 online resource (207 p.)"]
[null,null,"Collana",null,"Pallas Proefschriften"]
[null,null,"Disciplina",null,"709.2"]
[null,null,"Soggetti",null,"Public art spaces"]
[{"$nulls":4},"Public art"]
[{"$nulls":4},"Public spaces"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 165-178)."]
[null,null,"Nota di contenuto",null,"Public Artopia: Art in Public Space in Question; Contents; Chapter 1 Introducing geographies of public art: Interrelationships between artwork, public space and beholder; Chapter 2 Deconstructing public artopia: Situating public- art claims within practice; Chapter 3 Does cultural policy matter in public-art production?The Netherlands and Flanders compared,1945-present; Chapter 4 Beyond public artopia: Public art as perceived by its publics; Chapter 5 Engaging geographies of public art: Indwellers, the'Butt Plug Gnome' and their locale"]
[{"$nulls":4},"Chapter 6 Synthesising geographies of public art: Conclusions and discussion Publiek kunstbeeld: Kunst in de openbare ruimte in kwestie Nederlandstaligesamenvatting van hoofdresultaten; References; Vita"]
[null,null,null,"Sommario/riassunto","This book provides further insight into the interrelationships between artwork, public space and beholder. Public art has been a burgeoning phenomenon across cities in the Western world since the late 1940's. Various axioms have been produced about what public art 'does' to people in certain places and times. These axioms mainly originate from those who produce public artworks and those who are involved in public art's enabling institutional and cultural policy contexts. Until now, public art has hardly been problematised from a geographical perspective. On top of that, little is known about"]