{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910790352703321"]
[null,null,"Titolo",null,"Eurojazzland [[electronic resource] ] : jazz and European sources, dynamics, and contexts / / edited by Luca Cerchiari, Laurent Cugny, and Franz Kerschbaumer"]
[null,null,"Pubbl/distr/stampa",null,"Boston, : Northeastern University Press, c2012"]
[null,null,"ISBN",null,"1-280-69872-1"]
[{"$nulls":4},"9786613675682"]
[{"$nulls":4},"1-61168-298-3"]
[null,null,"Descrizione fisica",null,"1 online resource (503 p.)"]
[null,null,"Disciplina",null,"781.65094"]
[null,null,"Soggetti",null,"Jazz - Europe - History and criticism"]
[{"$nulls":4},"Music - Europe - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Title Page; Contents; Introduction; Part I | Europe as a Source of Jazz; 1 | The Influence of Celtic Music on the Evolution of Jazz; 2 | Beyond the ''Spanish Tinge'': Hispanics and Latinos in Early New Orleans Jazz; 3 | Why Did Art Music Composers Pay Attention to ''Jazz''?: The Impact of ''Jazz'' on the French Musical Field, 1908-1924; 4 | Violin and Bowed Strings in Jazz: A French School?; 5 | Sacred, Country, and Urban Tunes: The European Songbook;  ''Greensleeves'' to ''Les feuilles mortes'' (''Autumn Leaves''), ''Gigolo'' to '''O sole mio''"]
[{"$nulls":4},"6 | Across Europe: Improvisation as a Real and Metaphorical Journey Part II | Jazz Meets Europe; 7 | Cross-Cultural Links: Black Minstrels, Cakewalks, and Ragtime; 8 | Benny Carter in Britain, 1936-1937; 9 | ''A New Reason for Living'': Duke Ellington in France; 10 | Cool Jazz in Europe; 11 | Orchestral Thoughts: Jazz Composition in Europe and America(An Interview with Composer-Director Giorgio Gaslini); 12 | The New Orleans Revival in Britain and France; 13 | The European Jazz Avant-Garde of the Late 1960's and Early 1970's: Where Did Emancipation Lead?"]
[{"$nulls":4},"Part III | The Circulation of Eurojazzland14 | Did Europe ''Discover'' Jazz?; 15 | European Jazz Developments in Cross-Cultural Dialogue with the United States and Their Relationship to the Counterculture of the 1960's; 16 | Europe and the New Jazz Studies; 17 | Revisioning History Lived: Four European Expats, Three Men and One Woman, Who "]
[{"$nulls":4},"Shaped One American Life in Two American Cultures; 18 | Utopian Sounds: Mimesis and Identity in European Jazz Technologies; 19 | Roots and Collage: Contemporary European Jazz in Postmodern Times; Contributors; Index"]
[null,null,null,"Sommario/riassunto","The critical role of Europe in the music, personalities, and analysis of jazz"]