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[null,"1.","Record Nr.",null,"UNINA9910790275303321"]
[null,null,"Autore",null,"De Villiers Nicholas"]
[null,null,"Titolo",null,"Opacity and the closet [[electronic resource] ] : queer tactics in Foucault, Barthes, and Warhol / / Nicholas de Villiers"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, c2012"]
[null,null,"ISBN",null,"0-8166-8029-9"]
[null,null,"Descrizione fisica",null,"1 online resource (244 p.)"]
[null,null,"Disciplina",null,"809/.93353"]
[null,null,"Soggetti",null,"Queer theory"]
[{"$nulls":4},"Self in literature"]
[{"$nulls":4},"Homosexuality in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Opacities: queer strategies -- Confessions of a masked philosopher: anonymity and identification in Foucault and Guibert -- Matte figures: Roland Barthes's ethics of meaning -- \"What do you have to say for yourself?\" Warhol's opacity -- Unseen Warhol/seeing Barthes -- Andy Warhol up-tight: Warhol's effects -- Conclusion: The interview as multi-mediated object."]
[null,null,null,"Sommario/riassunto","Opacity and the Closet interrogates the viability of the metaphor of \"the closet\" when applied to three important queer figures in postwar American and French culture: the philosopher Michel Foucault, the literary critic Roland Barthes, and the pop artist Andy Warhol. Nicholas de Villiers proposes a new approach to these cultural icons that accounts for the queerness of their works and public personas. Rather than reading their self-presentations as \"closeted,\" de Villiers suggests that they invent and deploy productive strategies of \"opacity\" that resist the closet and the confessional discou"]