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[null,"1.","Record Nr.",null,"UNINA9910790173003321"]
[null,null,"Autore",null,"Tzanelli Rodanthi <1974-, >"]
[null,null,"Titolo",null,"Cosmopolitan memory in Europe's 'backwaters' : rethinking civility / / Rodanthi Tzanelli"]
[null,null,"Pubbl/distr/stampa",null,"Milton Park, Abingdon : , : Routledge, , 2011"]
[null,null,"ISBN",null,"1-136-74158-5"]
[{"$nulls":4},"1-136-74159-3"]
[{"$nulls":4},"0-203-81921-7"]
[null,null,"Descrizione fisica",null,"1 online resource (203 p.)"]
[null,null,"Disciplina",null,"949.5"]
[null,null,"Soggetti",null,"National characteristics, Greek"]
[{"$nulls":4},"Culture and tourism - Greece"]
[{"$nulls":4},"Tourism - Social aspects - Greece"]
[{"$nulls":4},"Motion pictures - Social aspects"]
[{"$nulls":4},"Culture in motion pictures"]
[{"$nulls":4},"Skiathos Island (Greece)"]
[{"$nulls":4},"Skopelos Island (Greece)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Cosmopolitan Memory in Europe's 'Backwaters'; Copyright Page; Contents; List of illustrations; 1. Ethnographic fiction and autobiographical 'truth'; 2. Orientalist vision and the carnivalesque of'revelations'; 3. Foreground to background: from locality to 'nation'; 4. 'The winner takes it all': the coming of secondmodernity; 5. The Original Theft (and other treacherousreligiosities); 6. Leviathan revealed; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Cosmpolitan Memory in Europe's 'Backwaters' reconsiders the definitional relationships of 'national character' and 'national heritage' in the context of Western industrial modernity. Taking as a case study the Greek islands of Skiathos and Skopelos which served as cinematic locations for the blockbuster Mamma Mia! (2008), the book explores how national identity - once shaped by political, cultural and religious practices - can now be reduced to little more than an ideal, created and sold globally by Western industries such as tourism and film. Tzanelli argues"]